Oscar Peterson Trio: Very Tall – Verve Acoustic Sounds Series 180g Vinyl
Very Tall, released in 1961, features the first partnership between Oscar Peterson and vibraphonist Milt Jackson. The quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include “On Green Dolphin Street,” "John Brown's Body" (a jam on "Battle Hymn of the Republic") and "Reunion Blues." Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Miles Davis – Miles Smiles – Speakers Corner 180g Vinyl
John Coltrane – Crescent Acoustic Sounds Series – 180g Impulse Vinyl
Crescent is widely regarded as one of John Coltrane’s finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964, John Coltrane spent the least amount of time in the recording studio of his entire career as a leader. It wasn’t until April 27th that he, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder’s Englewood Cliffs studio to record all the tracks that appear on Crescent. In a hint of things to come for the Classic Quartet, both Garrison and Jones are featured on extended solos on the album’s second side.
Joe Lovano – Trio Fascination: Edition One – Tone Poet Vinyl Series
On his remarkable 1997 album Trio Fascination: Edition One saxophonist Joe Lovano joined forces with two all-time legends—bassist Dave Holland and drummer Elvin Jones—in a spare trio setting that finds these three masters conversing freely. This stereo Tone Poet Vinyl Edition marks the album’s first-ever release on vinyl and was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Freddie Hubbard & Stanley Turrentine: In Concert – Speakers Corner 180g 2LP Vinyl
The producer was certainly on the ball when he recorded a concert with CTI stars on a short tour of the USA in 1973. Thus the beginning of the jazz-rock era was documented in jazz’s country of origin. Liberated from the often-sterile atmosphere in a studio, Freddie Hubbard, Stanley Turrentine and friends (here also without a sometimes stifling studio band) could exhibit their amazing improvisational talents as soloists in lengthy works. This was greatly facilitated by the groove conjured up by Herbie Hancock, Ron Carter and Jack deJohnette – who had all profited from Miles Davis’s tutoring. And let’s not forget Larry Gale, a not unknown or bad guitarist, who transported hot Jamaican rhythm to the wintery Chicago and Detroit.
Patricia Barber – Companion 1STEP Numbered Limited Edition Impex 180g 45rpm 2LP Vinyl
Now in Stock
Impex 1STEP #5 celebrates Patricia Barber’s 1999 “return” to The Green Mill, Chicago’s fabled jazz club. Conceived as a “companion” to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre ("work").
Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl
ART BLAKEY & THE JAZZ MESSENGERS – DRUM SUITE – 180g Impex Records
Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others.
However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.
