Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version
"This is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic'd that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that's how it sounds! Highly recommended." — Music = 10/11; Sound = 9/11 — Michael Fremer
Patricia Barber – Clique – Impex Records 180g Audiophile Vinyl
Audiophile 180g Vinyl LP!
Recorded & Mixed by Jim Anderson in DXD Ultra-High Resolution!
Mastered by Bob Ludwig & Lacquers Cut by Scott Hull at Masterdisk!
Pressed at RTI!
Similar in concept to her earlier classic NIGHTCLUB, CLIQUE! gives Patricia and her long-time band (Jon Deitemyer, drums; Patrick Mulcahy, bass; Neal Alger, guitar; Jim Gailloreto, tenor sax) a stellar showcase for their telepathic musical communication and consummate jazz chops. Barber said of recording an all-standards album:
"The harmonic language of jazz, as well as that of the Great American Songbook, is certainly rich - look how much has come out of it - but it's circumscribed. I started wanting to hear something else."
Eagles – The Long Run – Mofi SACD
In Stock Now
Sourced From The Original Analog Master Tapes For Audiophile Sonics
Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.
Steely Dan – Everything Must Go – Analogue Productions Hybrid Stereo SACD
In Stock, Ready To Ship
Everything Must Go was Steely Dan's second album after their 20-year studio hiatus spanning 1980 through 2000, when they released Two Against Nature. Everything Must Go is the last studio album with founding member Walter Becker before his death in 2017 and their most recent album to date.
We Expect huge demand.
Steely Dan – Gaucho – Analogue Productions Hybrid Stereo SACD
Steely Dan – Katy Lied – Analogue Productions Hybrid Stereo SACD
Now available to pre-order
Katy Lied, Steely Dan's fourth studio album, originally released in 1975 by ABC Records, was certified gold-selling and peaked at No. 13 on the U.S. charts. The single "Black Friday" also charted at No. 37. Pitchfork noted: "(Katy Lied) captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan was a rock band, but this is the record where they became something else."
Expect huge demand. Pre-order now!
Steely Dan – The Royal Scam – Analogue Productions Hybrid Stereo SACD
Now available to pre-order
Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on UHQR vinyl Box Sets and Hybrid SACDs.
Expect huge demand. Pre-order now!
Steely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976.
The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks.
- Hybrid Stereo SACD release from Analogue Productions!
- Mastered direct to DSD from the original master tape by Bernie Grundman
- Plays in all CD and SACD players
Petteri Iivonen: J.S. Bach Partita No. 2 in D Minor 180g 45RPM Vinyl
After living a number of years in the United States, GRAMMY® and ICMA Nominated Finnish violinist Petteri Iivonen returned to Europe where he became concertmaster of the Finnish Opera orchestra in Helsinki before moving to Paris to serve as concertmaster for the Paris Opera. Petteri's ability to play in many styles with sincerity and his natural lyrical facility with his instrument made him the ideal candidate to work with luminary conductors such as Esa-Pekka Salonen in Helsinki and now Gustavo Dudamel at Paris Opera.
Elvis Presley – Blue Hawaii – MoFi 180g 45RPM Vinyl
MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED AT RTI
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
The old adage about Elvis Presley is that his soundtrack work never held a candle next to his studio albums. Though true for a majority of his film-related outings, the traditional notion is forever disproved by his Blue Hawaii set. Originally released in 1961 in support of the film in which he starred, the triple-platinum LP spent nearly five months at the top of the Billboard album charts; outsold his two prior studio efforts; and ultimately, remains the second-best-selling soundtrack of the musical-dominant 1960s. And now, it has received sonic treatment befitting rock royalty.
Jethro Tull – Stand Up – Analogue Productions 180g 45rpm Vinyl
In stock now
Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound. You'll experience Jethro Tull classics such as "Bouree," "A New Day Yesterday," "Look Into The Sun," "We Used To Know," "Fat Man" and the rest with a new appreciation for the Grammy-winning progressive act's musical skill and innovation. Score Sound - 9 | Music - 9 (Michael Fremer)
Louis Armstrong Meets Oscar Peterson Verve 180g Vinyl
Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio — bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums — these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.
