Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.’S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity’s 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.’s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.
Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who’s frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie’s Back in Town!! (Maggie was McGhee’s nickname), captures the musician’s triumphant return to music in 1961. AllMusicrates the album as, “McGhee’s finest recording of the period.” He overachieves in rhythmic fluidity, a through line that’s particularly potent in seemingly carefree songs such as “Sunset Eyes” and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Joe Jackson – Summer in the City – Intervention Records 180g 2LP Vinyl
Experience the vibrant energy of Joe Jackson's Summer in the City like never before with the Intervention Records 180g 2LP Vinyl.
This meticulously remastered edition delivers unparalleled sound quality, bringing out the richness of every note.
The double LP format ensures an expansive and immersive listening experience, perfect for both long-time fans and new listeners.
Don't miss the chance to own this audiophile-grade release, a must-have for any serious vinyl collector.
Flying Burrito Brothers – Burrito Deluxe – Intervention Records 180g Vinyl LP
The Flying Burrito Brothers’ album “Burrito Deluxe,” reissued by Intervention Records on 180g vinyl, is a significant piece of country rock history, featuring the work of pioneers like Gram Parsons.
This reissue enhances the original 1970 recordings with superior sound quality, making classic tracks like “Wild Horses” resonate with newfound clarity and depth.
Intervention Records is known for their meticulous attention to detail, using all-analog mastering from the original tapes to preserve the authentic sound.
“Burrito Deluxe” stands as a testament to the band’s influence in blending country with rock elements, making it a valuable addition for both new listeners and long-time fans.
GENE CLARK – S/T White Light – Intervention Records 180g Vinyl
The "S/T White Light" album by Gene Clark is a reissued 180g vinyl LP from Intervention Records, known for their high-quality audiophile-grade pressings.
This album, often referred to simply as "White Light," features Gene Clark's introspective songwriting and soothing vocals, blending elements of folk, country, and rock.
The meticulous remastering process used by Intervention Records ensures that listeners experience the music with superior sound quality, preserving the authenticity and emotional depth of Clark's performance.
Gerry Mulligan – Gerry Mulligan Meets Ben Webster (Acoustic Sounds) 180g 1LP Gatefold Sleeve
This classic 1960 album by Mulligan, the Cool Jazz innovator, and Webster, the legendary Ellingtonian, is one for the ages. The tunes they recorded, from “Chelsea Bridge” to “Go Home”, are smooth, lush and emotional, driven along by a rhythm section of Jimmy Rowles, Leroy Vinnegar and Mel Lewis that swings with just the right amount of bop.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
Ruth Brown – Rock & Roll – 180g 33RPM Mofi Mono Vinyl LP
The Dynamite Sound Of “Miss Rhythm” And The Singer That Helped Build An Iconic Label: Ruth Brown’s Rock & Roll Bristles With Electrifying Emotion, Vocal Power, And R&B-Fueled Energy
Reissued in Audiophile Quality in Partnership with Atlantic Records’ 75th Anniversary: Mobile Fidelity 180g Mono LP Is Pressed at RTI and Strictly Limited to 2,000 Numbered Copies
1/4" / 15 IPS to DSD 256 to analog console to lathe
Rock & Roll, indeed. Ruth Brown’s sizzling full-length debut — also known by its eponymous title — symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records’ 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.
Art Taylor – Taylor’s Wailers – Analogue Productions (Prestige 7117) 180g Vinyl
In 1956 drummer Art Taylor formed a group called Taylor’s Wailers. Donald Byrd and Charlie Rouse were members of the working group that debuted at The Pad, a Greenwich Village nightclub on Sheridan Square booked by Bob Reisner, the man who had run the legendary Open Door Sessions. In 1957 Taylor recorded the Wailers for Prestige, adding the alto saxophone of Jackie McLean to the front line. Two of the highlights are the Thelonious Monk compositions, “Well, You Needn’t” and “Off Minor,” with arrangements by Thelonious himself. One track, “C.T.A.,” by Jimmy Heath, is from another session featuring John Coltrane backed by Red Garland, Paul Chambers, and Taylor, a potent Prestige studio combination in those days. There have been many distinguished drummer-leaders in jazz. One expects their groups to be rhythmically exciting. Taylor’s Wailers are no exception to this swinging heritage.
Thelonious Monk With John Coltrane – Analogue Productions 180g Vinyl
Despite various reissue formats over several decades, the seven original LPs contained in Thelonious Monk — The Riverside Tenor Sessions stood perfectly well on their own at the time of initial release and remain among the highest achievements of a truly golden age. Recorded and released between 1956 and 1961, these seven Monk combo albums were critical in Monk's emergence from a decade of ridicule and neglect to his status at the pinnacle of the jazz pantheon.
