Cannonball Adderley Quintet – In Chicago – Analogue Productions 180g Stereo Verve Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Fritz Reiner – Spain – Analogue Productions 180g Stereo Vinyl
Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl
Courtney Pine – Journey To The Urge Within 180g Analogue October Records Vinyl
Now in stock
Mastered at Gearbox Records from Universal Music’s Archival Hi Rez Files,* pressed at Optimal on heavyweight audiophile Vinyl & packaged in a deluxe jacket with a Poly-Lined inner sleeve. Includes a four page insert, with art, technical specs and an all new two-page essay from the Editor of Jazzwise Magazine, Mike Flynn, about the album, its creator and how it inspired a new British Jazz Explosion that’s still being felt today.
Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl
Billie Holiday – Songs For Distingue Lovers – Analogue Productions 2x45RPM 180G VINYL
It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.
Originally released in 1957.
SKU: AVRJ602145
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John Coltrane – Lush Life – Analogue Productions 180g (Mono) Vinyl
Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse.
Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl
Alan Parsons Project – Eye in the Sky – MOFI SACD
Mastered From The Original Master Tapes: Sacd Presents The Music's Hallmark Smoothness, Lushness, And Detail In Reference Sound
The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's reissue.
McCoy Tyner – Time For Tyner Lp (Blue Note Tone Poet Series) – Blue Note Vinyl
The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For his 3rd Blue Note date Time For Tyner, recorded in 1968, the pianist went a different direction by assembling a hornless quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson’s first recorded encounter came on the vibraphonist’s 1966 Blue Note album Stick-Up, and here their musical comradery deepened even further.
