Milt Jackson : Sunflower – Pure Pleasure Records 180g Vinyl
Recorded over two days in December of 1972 at Rudy Van Gelder’s Englewood, New Jersey home studio, vibraphonist Milt Jackson’s Sunflower is the first and best of his three albums for Creed Taylor’s CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well.
Pharoah Sanders : Live – Pure Pleasure Records 180g 2 LP Vinyl
John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.
Buddy Guy & Junior Wells – Going Back To Acoustic – Pure Pleasure Records 180g Vinyl
“…These classic songs are matched by an impeccable re-master of the kind of recording which constantly reminds me exactly just why I own a turntable. Fantastic transparency, a jaw dropping presentation of rough hewed vocal dynamic shifts and the kind of inner details that scream ‘intimacy’ recreates the atmospheric roots of the Deep South – making this a must own record from a sonic perspective as well.” Recording = 9.5/10; Music = 9/10 – Reuben Parry, Hi-Fi+, Issue 45
Miles Davis In Person: Friday And Saturday Nights At The Blackhawk – Impex 2LP, 180G, 33RPM Vinyl
Taj Mahal – Labor of Love (33 RPM) Analogue Productions Audiophile Vinyl
- Vinyl-only release!
- Previously unreleased late 1990s recordings!
- 180-gram vinyl pressed at Quality Record Pressings!
- Mastered by Kevin Gray at Cohearent Audio from original 44.1kHz/16-bit session recordings
- Taj Mahal, loose and casual in informal recording sessions with peers
- Taj performs with guest artists: John Dee Holeman, Cool John Ferguson, Cootie Stark and Algia Mae Hinton
Miles Davis – Nefertiti – MOFI 2 x 180g 45RPM Vinyl
STEEPED IN INQUISITIVE INTERPLAY AND SUBCONSCIOUS IMPRESSIONISM
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
Nefertit will always be known as the final all-acoustic record made by Miles Davis’ classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity’s analog edition bring listeners to closer to the creative passions than ever before.
MILES DAVIS – E.S.P. – MOFI 2 x 180g, 45RPM VINYL
Splits Divide Between Accessible Hard-Bop And Cutting-Edge Improvisation: A Paragon Of Cohesion, Chemistry, Interplay 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Jazz at the Pawnshop Deluxe Edition 200g 2xHD Audiophile Vinyl 2LP
Jazz at the Pawnshop is a multi-session recording made by Swedish sound engineer Gert Palmcrantz on December 6-7, 1976, at Jazzpuben Stampen (Pawnshop) in Stockholm, Sweden. A pawnshop had operated on the site prior to the jazz club. Proprius Records founder Jacob Boethius produced the album, and it has been issued several times under multiple labels and formats.
The album is regarded by many audiophiles as one of the best jazz recordings of the 20th Century.
The recording features Arne Domnérus (alto sax, clarinet), Bengt Hallberg (piano), Lars Erstrand (vibes), Georg Riedel (bass), and Egil Johansen (drums).
Horace Parlan – Speakin’ My Piece (Classic Vinyl Series) Blue Note Vinyl
Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Charlie Hunter – Bing Bing Bing! (Classic Vinyl Series) Blue Note 2 LP Vinyl
Charlie Hunter’s 1995 Blue Note debut Bing Bing Bing! was a groove-heavy tour-de-force that marked the arrival of a virtuosic guitarist whose unique concept on his 8-string guitar produced music that was both impressive and irrepressible. Hunter’s trio laid down a program of originals plus an unforgettable cover of Nirvana’s “Come As You Are.” This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
