Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single
Hard Bop ART BLAKEY’S JAZZ MESSENGERS Impex Records
Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others.
However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.
Train – Drops of Jupiter – Mofi SACD
Triple-Platinum Train Album Awarded Two Grammy Awards: Drops Of Jupiter Contains The Hits “Drops Of Jupiter (Tell Me)” And “She’s On Fire”
Sourced From The Original Master Tapes And Strictly Limited To 2,000 Numbered Copies: Hybrid Sacd Plays With Openness, Airiness, And Smoothness
New Release SACD Very Limited, Only 2,000 Numbered Copies!
There’s definitely nothing wrong with echoing classic rock and harmonic pop sounds, especially when it’s done this well. Drops of Jupiter, Train’s two-time Grammy-winning 2001 album, revels in sweeping hooks and soulful comfort borrowed from proven 70s methods. Remarks of jealous critics aside, the approach resonated with the public and made Train a ubiquitous presence of mainstream radio, a status the group still enjoys.
Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Described by AllMusic as the standard-bearer for post-alternative rock ‘n’ roll because of its ’90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas’s distinctive bravado.
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
In Stock
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay."
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles' self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the record, its raison d'etre.
Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Patricia Barber – Cafe Blue – Impex 24K Gold CD
Nightclub has been newly remastered from the original analog tapes by Bernie Grundman at Bernie Grundman Mastering for added warmth musicality. The deluxe book-style packaging has a heavy-stock booklet that pays homage to the original Premonition CDs while updating them to Impex Records’ premium look and feel.
The Limited Edition Impex 24K Gold CD Patricia Barber Series are manufactured at Memory-Tech’s state-of-the-art facility in Japan.
Run DMC – King of Rock – Mofi 180g SuperVinyl LP
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.Run DMC – King of Rock – Mofi SACD
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: HYBRID SACD PLAYS WITH VISCERAL IMMEDIACY
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.
