Showing 217–228 of 517 results

Peter Frampton “Wind of Change” – Intervention Records 180g Vinyl

£45.00
An auspicious and stirring debut, “Wind of Change” launched Frampton’s solo career and began the inexorable path to superstardom.
Intervention’s Frampton@50 series 180G vinyl reissues are 100% Analog Mastered by Chris Bellman at Bernie Grundman Mastering from the best analog tape sources available.

The Church “Starfish” Expanded Edition – Intervention Records 180g Vinyl

£49.95
The Church’s Starfish is a dreamy, atmospheric masterpiece, guitar-driven alt-rock before alt-rock was a term. It includes the timeless smash hit “Under the Milky Way,” and “Reptile,” both First Wave staples. Intervention’s 2X 180-Gram LP, Artist-Approved Expanded Edition is 18-tracks total, including 8 amazing bonus tracks that were not on the original LP. These bonus tracks kick off with wonderful acoustic versions of “Under the Milky Way” and “Antenna.” The other tracks are so strong that it’s very apparent that Starfish could have been a potent double LP.

Vivaldi In London – Chasing The Dragon – 180g Vinyl

£90.00
Companion album to Vivaldi In Venice AAA 100% Analogue This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head Chasing the Dragon - VALLP0 - AAA 100% Analogue - 180 Gram Virgin Vinyl D2D Live Direct Cut To Vinyl Limited Edition - Pressed in Germany

Pink Floyd – The Dark Side Of The Moon 50th Anniversary 2023 Remaster Limited Collectors Edition Uv Vinyl Picture Disc

£65.00
IN STOCK!!
As part of the 50th Anniversary 2023 remaster campaign, Pink Floyd will release a Collector’s Edition of The Dark Side Of The Moon on crystal clear vinyl.
This will be a 2 x 180g single sided LP set, featuring UV artwork print on the non-groove sides.
This new edition of the album will feature the prism spectrum seen through the playable side of the vinyl whilst maintaining the best quality sound that fans will expect. It will be packaged in a slip cased gatefold sleeve, with an exclusive poster.
 

John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl

£49.95
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”

Charles Mingus: Mingus Takes Manhattan – The Complete Birdland Dates: 1961 – 1962 4LP New Land Vinyl

£199.95
Mingus Takes Manhattan collects together Charles Mingus’ run of dates at the world famous Birdland, New York from 1961-1962, released here officially for the first time ever in conjunction with the Mingus Estate. The original reel-to-reel tapes used to record the radio broadcasts were tracked down, cleaned and remastered especially for this release. Previously only issued in bootleg form, the recordings enclosed feature Mingus in the midst of a highly creative spell. Alternating between bass and piano during these sets features a rotating band of heavy hitters including Yusef Lateef, Roland Kirk, Jaki Byard, Booker Ervin, Pepper Adams as well as Mingus mainstays Charles McPherson, Dannie Richmond and others.

Everclear – Sparkle and Fade – Intervention Records 180g Vinyl

£55.00
Available to Pre-Order
  • SHIPPING NOW!
  • Remastered From High-Res Archives For The First Time
  • Mastered By Kevin Gray At CoHEARent Audio
  • Plated and Processed at RTI
  • Ultra-Quiet 180-Gram Vinyl Pressed at GOTTA GROOVE RECORDS
  • Beautiful Old-Style "Tip-On" Gatefold Printed By Stoughton

Everclear – So Much For The Afterglow – Intervention Records 180g Vinyl

£55.00
Available to Pre-Order
  • SHIPPING NOW!
  • Remastered From High-Res Archives For The First Time
  • Mastered By Kevin Gray At CoHEARent Audio
  • Plated and Processed at RTI
  • Ultra-Quiet 180-Gram Vinyl Pressed at GOTTA GROOVE RECORDS
  • Beautiful Old-Style "Tip-On" Gatefold Printed By Stoughton

Muddy Waters – Folk Singer – Analogue Productions 180g 33rpm Vinyl

£55.00
  • From the original 1964 Chess analog masters! Pressed at Quality Record Pressings!
  • 33rpm
  • Gatefold Sleeve

Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl

£55.00
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California. "It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings," Gray told music reviewer Michael Fremer.

Crosby, Stills and Nash – Crosby, Stills and Nash – MoFi SACD

£42.00
Sourced From The Original Master Tapes And Packaged In A Mini-Lp Gatefold Sleeve
The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Johnny Cash – At Folsom Prison – Mofi SACD

£37.00
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.