CHASING THE DRAGON – Beethoven Piano Sonatas: Moonlight & Pathetique Direct Cut CD
Sam Cooke – Night Beat – Analogue Productions 45RPM Vinyl
Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.
Originally released in 1963.
Shakey Jake – Mouth Harp Blues – Analogue Productions 45RPM 180g Vinyl
The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam.
Miles Davis – E.S.P. Vinyl Impex Records
CHASING THE DRAGON – Quentin Collins All Star Quintet – A Day in the Life – 180g Vinyl
Part Of The Direct Cut Recording Series On 180g Vinyl LP!
"Quentin Collins is a leading figure on the British jazz scene, comfortable with many styles but most often adopting the post-bop language of players like Lee Morgan and Freddie Hubbard. Collins performs with a wide range of musicians and appears regularly at London’s most prestigious jazz venues, including Ronnie Scott’s and Club 606. The artist plays carbon fiber daCarbo instruments, said to optimize vibration so less energy is wasted in the air column within the horn. " Absolute Sound
Bill Withers – Live at Carnegie Hall Mofi 180g 2LP Vinyl MFSL2-44
Khachaturian Gayne Ballet Suite 2LP 45rpm 180g Vinyl LSO Fistoulari Everest Classic Records
Rarely has a record label been so influential and so associated with trend-setting recording techniques for its time as Everest Records. Hollywood sound man Harry Belock and audio dealer-engineer Bert Whyte started the label as the stereo era dawned. They acquired 3-channel 35mm magnetic film recording equipment in 1959, and through the early ’60s recorded in this fashion, as did Mercury Records.
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- Limited Edition
- 2LP 45rpm 200 Gram Vinyl
- Cut From Original 35mm Magnetic Film Tapes
- Mastered Using ‘All Tube’ Cutting System
- Mastered by Bernie Grundman
- Classic Records 200-gram Super Vinyl Flat Profile
- Pressed at Quality Record Pressings, QRP USA
- Stoughton Printing tip-on old style covers
- 2 LP’s Packaged in protective clear sleeve
THE B-52’S – WILD PLANET – MOBILE FIDELITY VINYL
Party Out of Bounds! Eclectic Group's Sophomore Album the Equal of Its Smash Debut
Party out of bounds! Not only is this sentiment one of the B-52's directives on their ceaselessly fun sophomore album, it's one of the record's hit songs, and perfectly summarizes the spirit and intent behind this new-wave classic. Completely up to task in following up their kitschy debut, the B-52's step everything up a notch: Songwriting, humor, exaggeration, melodies, hooks, and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures. What an album.
Bill Evans: The Bill Evans Album 180g vinyl
The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meagre result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm – and ever better – trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in “The Bill Evans Album”.
Pure Pleasure releases are created from the original artwork and re-mastered from the original tapes by engineers who on occasions, have mastered the originals. Some in the original studios! The sleeves are re-created from the originals. An exciting journey! The End Result?
