Hank Mobley – A Slice of the Top (Blue Note Tone Poet Series) Blue Note 180G Vinyl
Tenor saxophonist Hank Mobley had already been building a formidable Blue Note catalog for more than a decade when he conceived of his unique album A Slice of the Top, which was recorded in 1966 but not first released until 1979 as part of the LT Series.
Inspired by Miles Davis’ Birth of the Cool, Mobley collaborated with Duke Pearson who arranged four Mobley originals and the pop standard “There’s a Lull In My Life” for an octet that added Kiane Zawadi’s euphonium and Howard Johnson’s tuba to a group consisting of James Spaulding on alto saxophone and flute, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.
Behold Mobley’s lyrical flights on standout tunes including “Hank’s Other Bag,” “A Touch of Blue,” and “A Slice of the Top.”
Jimmy Smith – The Cat (Verve Acoustic Sounds) 180g Vinyl Record
The Cat is jazz organist Jimmy Smith’s 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Mel Torme – Torme – (Verve Records – Acoustic Sounds Series ) 180g Gram Vinyl Record
Tormé is an uptempo gem that Mel Torme swings to perfection. Nicknamed “The Velvet Fog,” Torme was a noted singer, composer, arranger, drummer and actor. This self-titled 1958 studio album was his first record for Verve.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Lou Reed – Berlin -Mofi SACD
An Intense Journey Into Toxic Relationships Balanced With Gorgeous Arrangements And Dark Humor: Lou Reed’s Conceptual Berlin Features A-List Cast And Bob Ezrin Production
Sourced from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity’s Hybrid SACD Presents the Singer-Songwriter’s 1973 Album in Audiophile Quality
Like the records he made with his first band, Berlin finds Lou Reed decades ahead of the times.Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.
Miles Davis – Sorcerer – MOFI 180g 33RPM SuperVinyl LP
The Third Of Five Albums From Miles Davis’ Second Great Quintet: Mood, Inflection, Nuance, And Expressionism Take Center Stage On Sorcerer
Sourced from the Original Master Tapes and Pressed at Fidelity Record Pressing on MoFi SuperVinyl: Mobile Fidelity 180g 33RPM SuperVinyl LP Plays with Reference Dynamics, Transparency, and Presence 1/4″ / 15 IPS analog master to DSD 256 to analog console to lathe Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums by Miles Davis’ legendary Second Great Quintet — and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz — the 1967 effort mesmerizes with instrumental colors, subdued musings, and subtle details. These crucial characteristics blossom with vibrant realism on Mobile Fidelity’s 180g 33RPM SuperVinyl LP.
Miles Davis – Birth Of The Blue (Black Vinyl Un Numbered Edition) Analogue Productions 180 Gram Vinyl Record
IN STOCK NOW
Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. Miles Davis’s Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!
Clifford Jordan – Cliff Jordan – Blue Note Tone Poet Series 180g Vinyl
Under-recognized tenorman Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957 including Cliff Jordan featuring a septet with Lee Morgan on trumpet, Curtis Fuller on trombone, John Jenkins on alto, Ray Bryant on piano, Paul Chambers on bass & Art Taylor on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Chet Baker – Baker’s Holiday – (Verve Records – Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve
Recorded in 1965 and showcasing a number of songs he’d never recorded before, Baker’s Holiday is Chet’s tribute to Billie Holiday and features his instantly-identifiable trumpet along with four trademark vocals.
Backed by a full sax section and a four-piece rhythm section that includes pianist Hank Jones, this classic album highlights colourful Jimmy Mundy arrangements.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Pharoah Sanders – Live – Theresa Records 180 Vinyl 2 LP Gatefold Sleeve
This album features Pharoah Sanders playing some no-nonsense tenor in a quartet with pianist John Hicks, bassist Walter Booker, and drummer Idris Muhammad. Sanders performs “It’s Easy to Remember” (in a style very reminiscent of early-’60s John Coltrane), an original blues, and two of his compositions, including the passionate “You’ve Got to Have Freedom.”
The musicianship is at a high level and, although Sanders does not shriek as much as one might hope (the Trane-ish influence was particularly strong during this relatively mellow period), he is in fine form. Review by Scott Yanow/AMG
Bobby Hutcherson – Dialogue – Blue Note Tone Poet Series 180g Vinyl
1965’s Dialogue was the debut by vibraphonist Bobby Hutcherson who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch.
Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis & Joe Chambers.
