Crosby, Stills and Nash – Daylight Again – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material. Initially, the project began as a collaborative effort between Stephen Stills (guitar/banjo/keyboards/percussion/vocals) and Graham Nash (guitar/keyboards/percussion/vocals), as David Crosby was descending into a self-induced state of perpetual drug dependency. However, Crosby was included, although arguably in name alone, and his hauntingly lyrical "Delta" stands as one of his finest contributions. Perhaps the most telling element in the trio's state of affairs was the addition of the Eagles' Timothy B. Schmit and CSN bandmember Mike Finnigan (keyboards/vocals) on vocals throughout.
Crosby, Stills, Nash and Young – Deja Vu – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock."
David Crosby – If I Could Only Remember My Name – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Now in Stock
If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.
David Crosby – If I Could Only Remember My Name – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
David Crosby – If I Could Only Remember My Name – MoFi SACD
Mastered From The Original Master Tapes: Hybrid Sacd Conveys The Altered-Consciousness Aura, And Natural Lushness Of The Acoustic-Based Music
No album personifies the relaxed, loose, albeit troubled early 1970s California aura like If I Could Only Remember My Name. Hallucinogenic, trippy, and akin to a foggy dream you want to last for hours on end, David Crosby’s blissed-out solo debut transcends time and remains a key influence on the contemporary freak-folk scene. A thoroughly unique statement, it lingers as a beautiful convergence of spontaneity, collaboration, circumstance, and recording-studio acumen. Now, more than 50 years after its release, the longtime audiophile favorite has never sounded more ethereal, present, detailed, balanced, or lush.
Delaney & Bonnie & Friends: To Bonnie From Delaney 180g vinyl
The married couple and musical duo Delaney & Bonnie ignited critics, fans and famous musical colleagues to veritable bursts of exultation. Mick Jagger of the Rolling Stones talked matter-of-factly of »convincing white gospel song«, while Eric Clapton regarded the duo as the "best pop band in the world".
Pure Pleasure releases are created from the original artwork and re-mastered from the original tapes by engineers who on occasions, have mastered the originals. Some in the original studios! The sleeves are re-created from the originals. An exciting journey! The End Result?
The Touch. The Feel. The Look. The Craftsmanship. What could be better?
Diana Krall – When I Look Into Your Eyes (Verve Records – Acoustic Sounds Series ) 180g 2LP Gatefold Sleeve
Krall’s fifth studio album made a mark as the first jazz album in 25 years to garner a Grammy nomination for Album of the Year.
Tommy LiPuma elevates Krall’s sound along the lines of Nat King Cole with an orchestral stamp on eight out of 12 tracks.
It doesn’t take strings, though, to showcase Diana Krall as a hopeless romantic. She does that well enough on her own.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Dillard & Clark “The Fantastic Expedition of Dillard & Clark” – Intervention Records 180g Vinyl
The Fantastic Expedition of Dillard & Clark is 100% Analog Mastered from the 1/4″ 15-ips Original Master Tapes by Kevin Gray at CoHEARent Audio!
The tapes sound beautifully dynamic and alive, with tuneful bass, extended highs and three-dimensional imaging.
The IR cut has better separation and punch than ANY previous version of this amazing record!
Dire Straits – On Every Street – 45rpm 180g 2LP Mofi Vinyl
Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song – a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.
Dire Straits – On Every Street – Mofi SACD
SOURCED FROM THE ORIGINAL MASTER TAPES: HYBRID SACD PRESENTS 1991 ALBUM WITH CINEMATIC SOUND AND TRANSPARENT CLARITY
Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group’s swan song — a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.
Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders.
Dizzy Reece – Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece’s Blue Note debut Blues In Trinity.
