Showing 49–60 of 105 results

Illinois Jacquet – Swing’s The Thing (Mono Version) 180g 45rpm Verve Re-Issue Vinyl

£59.95
Illinois Jacquet's 1956 album Swing's The Thing features Roy Eldridge, Jimmy Jones, Herb Ellis, Ray Brown and Jo Jones.
"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011

Janos Starker Bach: Suites For Unaccompanied Cello Complete 45RPM 180g 6LP Box Set

£245.00
  • JS Bach’s Suites for Unaccompanied Cello Complete performed by Janos Starker
  • Six 180-gram QRP-pressed LPs!
  • Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads!

Jethro Tull – Aqualung – Analogue Productions SACD

£49.95
Analogue Productions presents another classic title on Hybrid Stereo SACD — Jethro Tull's multi-platinum-selling smash Aqualung. Originally released in March 1971, the album has sold in excess of 7 million copies worldwide, achieving Top Ten chart status in both the U.K. and U.S.. Aqualung's success signaled a turning point in the band's career, making Jethro Tull a major radio and touring act.

Jethro Tull – Stand Up – Analogue Productions 180g 45rpm Vinyl

£85.00
In stock now
Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound. You'll experience Jethro Tull classics such as "Bouree," "A New Day Yesterday," "Look Into The Sun," "We Used To Know," "Fat Man" and the rest with a new appreciation for the Grammy-winning progressive act's musical skill and innovation. Score Sound - 9 | Music - 9 (Michael Fremer)

Jimmie Lee Robinson – All My Life 45RPM 200g 2LP Analogue Productions Vinyl

£69.95
If you tire easily of the overdone, overproduced contemporary blues – the garbage that sounds like plastic instruments being played in a tin box – and if you’ve ever wondered why that stuff is even filed under blues, than you’re like Jimmie Lee Robinson. To Jimmie Lee, the blues are more than just fast notes and wild guitar solos. They are about feelings deep and personal. They punch at emotions.
With All My Life, his second APO Records release, Jimmie Lee is aiming for goose bumps and tears. And if you’ve got appreciation for acoustic, front porch blues, you’ll have a tough time escaping his spell.

Joan Baez – Recently – Analogue Productions 180g Vinyl

£49.95
The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists.
The track "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording.

Joan Baez – Diamonds and Rust in the Bullring – Analogue Productions SACD

£45.00
Mastered from the original analog tape by Kevin Gray at Cohearent Audio  

Joe Walsh – The Smoker You Drink, The Player You Get – Analogue Productions 2x 180g 45RPM Vinyl

£75.00
Now cut at 45RPM for better tracking, exceptional bass Featuring “Rocky Mountain Way,” “Book Ends” and more Remastered by Kevin Gray at Cohearent Audio Old style gatefold tip-on jacket from Stoughton Printing Plated and pressed on 180-gram audiophile vinyl at Quality Record Pressings!

John Coltrane – Ballads – 45 RPM 200G – Analogue Productions UHQR Vinyl

£155.00
IN STOCK.
You’re about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan’s cut has his characteristic clarity and transparency all set against Quality Record Pressing’s usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
For this 45 RPM 2LP edition you’ll also receive a !2″ x 12″ 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.

John Coltrane – Coltrane – Analogue Productions Prestige 180g Mono Vinyl

£49.95
"Another fine-sounding Prestige mono, Coltrane crackles with spontaneous intensity. Al Heath's drum triplets spark "Bakai," as Coltrane's throaty tenor introduces the repetitive, Arabic-influenced theme. "Violets For Your Furs" is sort of precursor to Coltrane's fine Ballads album (1963), whlle a string of mostly up-tempo tunes follow." Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013

John Coltrane – Lush Life – Analogue Productions 180g (Mono) Vinyl

£49.95
Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse.

John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl

£50.00
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.