Charlie Mingus – Oh Yeah – Analogue Productions (Atlantic 75 Series) 180g 45rpm 2 LP Vinyl
Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A powerful, passionate and expressive album! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).
Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who’s frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie’s Back in Town!! (Maggie was McGhee’s nickname), captures the musician’s triumphant return to music in 1961. AllMusicrates the album as, “McGhee’s finest recording of the period.” He overachieves in rhythmic fluidity, a through line that’s particularly potent in seemingly carefree songs such as “Sunset Eyes” and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Gerry Mulligan – Gerry Mulligan Meets Ben Webster (Acoustic Sounds) 180g 1LP Gatefold Sleeve
This classic 1960 album by Mulligan, the Cool Jazz innovator, and Webster, the legendary Ellingtonian, is one for the ages. The tunes they recorded, from “Chelsea Bridge” to “Go Home”, are smooth, lush and emotional, driven along by a rhythm section of Jimmy Rowles, Leroy Vinnegar and Mel Lewis that swings with just the right amount of bop.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
Art Taylor – Taylor’s Wailers – Analogue Productions (Prestige 7117) 180g Vinyl
In 1956 drummer Art Taylor formed a group called Taylor’s Wailers. Donald Byrd and Charlie Rouse were members of the working group that debuted at The Pad, a Greenwich Village nightclub on Sheridan Square booked by Bob Reisner, the man who had run the legendary Open Door Sessions. In 1957 Taylor recorded the Wailers for Prestige, adding the alto saxophone of Jackie McLean to the front line. Two of the highlights are the Thelonious Monk compositions, “Well, You Needn’t” and “Off Minor,” with arrangements by Thelonious himself. One track, “C.T.A.,” by Jimmy Heath, is from another session featuring John Coltrane backed by Red Garland, Paul Chambers, and Taylor, a potent Prestige studio combination in those days. There have been many distinguished drummer-leaders in jazz. One expects their groups to be rhythmically exciting. Taylor’s Wailers are no exception to this swinging heritage.
Carlos Santana and Mahavishnu John McLaughlin – Love Devotion Surrender 180g 33RPM Mofi Vinyl LP
IN STOCK
1973 Meeting Of Santana And John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender Is Inspired By John Coltrane And A Quest For Enlightenment
Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity’s Numbered-Edition 180g LP
1/4″ / 15 IPS analog master to DSD 64 to analog console to lathe
Reed Muse 3C Turntable With 3P Tone Arm
Dillard & Clark “The Fantastic Expedition of Dillard & Clark” – Intervention Records 180g Vinyl
The Fantastic Expedition of Dillard & Clark is 100% Analog Mastered from the 1/4″ 15-ips Original Master Tapes by Kevin Gray at CoHEARent Audio!
The tapes sound beautifully dynamic and alive, with tuneful bass, extended highs and three-dimensional imaging.
The IR cut has better separation and punch than ANY previous version of this amazing record!
Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl
Duke Ellington & Johnny Hodges – Back to Back – Analogue Productions 45RPM 200g 2LP
Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington’s band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington’s unique piano playing could come to the fore and Hodges’ irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made — a relaxed, perfectly integrated set of music that truly swings the blues.
Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single
Hard Bop ART BLAKEY’S JAZZ MESSENGERS Impex Records
Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others.
However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.
