Showing 25–36 of 89 results

Jaco Pastorius – Truth, Liberty & Soul 2xHD 200g 45 RPM 3LP Audiophile Vinyl

£129.95
NOW IN STOCK
There have been many guitar gods, but there's never been an electric bassist as deified as Jaco Pastorius. – Michael J. Agovino
This live album by Jaco Pastorius and the Word-of-Mouth Big Band, featuring harmonica virtuoso Toots Thielemans as special guest, was recorded in analog 24 tracks by the Record Plant mobile truck at Avery Fisher Hall in NYC on June 27, 1982, as part of George Wein's Kool Jazz Festival. This Deluxe 45rpm 200g edition is the first one to be mastered from the original 2 track master tapes that were found some 30 years later (the previous digital download versions were released from a digital remix of the 24 tracks). What we have here is the direct copy of the original pure analogue 2 track mix

Ben Webster – See You at the Fair (Verve Acoustic Sounds) 180g Vinyl LP Gatefold Sleeve

£29.95
Ben Webster’s final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster’s tone has rarely sounded more beautiful than on “Someone to Watch Over Me” and “Our Love Is Here to Stay.”

Ben Webster Meets Oscar Peterson (Acoustic Sounds) 180g 1LP Gatefold Sleeve

£22.50
Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. Ben Webster Meets Oscar Peterson features some of his finest collaborations with Oscar Peterson, who Webster often stated was his favourite accompanist. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Lou Reed – Berlin -Mofi SACD

£32.00
An Intense Journey Into Toxic Relationships Balanced With Gorgeous Arrangements And Dark Humor: Lou Reed’s Conceptual Berlin Features A-List Cast And Bob Ezrin Production
Sourced from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity’s Hybrid SACD Presents the Singer-Songwriter’s 1973 Album in Audiophile Quality
Like the records he made with his first band, Berlin finds Lou Reed decades ahead of the times.Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.

Chet Baker – Baker’s Holiday – (Verve Records – Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve

£19.95
Recorded in 1965 and showcasing a number of songs he’d never recorded before, Baker’s Holiday is Chet’s tribute to Billie Holiday and features his instantly-identifiable trumpet along with four trademark vocals.
Backed by a full sax section and a four-piece rhythm section that includes pianist Hank Jones, this classic album highlights colourful Jimmy Mundy arrangements.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Art Blakey and The New Jazzmen – Live In Paris ’65 – Sam Records 180 Vinyl LP

£17.50
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
Art Blakey, Live in ’65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Ben Webster – At the Renaissance – Concord Records 180g Vinyl

£19.95
This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Charles Mingus – Pithecanthropus Erectus (Mono) – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£37.50
In Stock
Pithecanthropus Erectus established Charles Mingus as a composer of boundless imagination and a fresh new voice in jazz that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition.

FoxFeather The Nature of Things – PS Audio Gold SACD

£25.00
“Carly Ricks Smith’s voice is unforgettable, a wonderful cross between the folky soprano of a young Joni Mitchell and the jazz-heavy range of Lake Street Dive’s Rachel Price.”

Bach Cello Suites – PS Audio Gold SACD

£49.95
“”Stunning!” The six unaccompanied cello suites are a cornerstone of the classical cello repertoire.”

The Cry! Prince Lasha Quintet – Contemporary Records (Acoustic Sounds Series)180g Vinyl

£19.95
Contemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds
Continuing Craft Recordings’ celebration of seminal jazz artists from Contemporary Records

Santana – Blues for Salvador – Mofi 180g 33RPM Vinyl LP

£45.00
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.