Ben Webster – See You at the Fair (Verve Acoustic Sounds) 180g Vinyl LP Gatefold Sleeve
Ben Webster’s final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster’s tone has rarely sounded more beautiful than on “Someone to Watch Over Me” and “Our Love Is Here to Stay.”
Benz Micro LP-S Cartridge
Housed in a special, limited edition, aged ebony body; the LP-S differs from other world-class cartridge designs in that it is supremely musical. Not many cartridges can match the LP-S’s warmth and natural portrayal of instruments.
Special offer £250 of free vinyl off our website with all purchases of this cartridge. No other offers apply.
Big John Patton – Let ‘Em Roll – Blue Note (Tone Poet) 180g Vinyl
Bill Evans Trio – Waltz For Debby – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl
Now In Stock
Purest possible pressing and most visually stunning presentation and packaging! One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.
Billie Holiday – Songs For Distingue Lovers – Analogue Productions 2x45RPM 180G VINYL
It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.
Originally released in 1957.
SKU: AVRJ602145
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Black Sabbath – Black Sabbath – Rhino Records 180G Vinyl LP
IN STOCK NOW
Experience the album that defined heavy metal with Black Sabbath’s legendary self-titled debut, now available on Rhino Records' 180-gram vinyl LP. Originally released in 1970, this genre-defining masterpiece features dark, doom-laden riffs, haunting vocals, and thunderous rhythms, with iconic tracks like "Black Sabbath," "The Wizard," and "N.I.B." This audiophile-quality pressing delivers superior sound clarity, capturing every raw, electrifying moment of Tony Iommi’s guitar, Geezer Butler’s bass, Bill Ward’s drumming, and Ozzy Osbourne’s chilling vocals.
A must-have for vinyl collectors, audiophiles, and metalheads, this 180G remastered edition brings new depth to the album that started it all.
🔥 Own the ultimate heavy metal classic—order your Black Sabbath 180G Vinyl LP today! 🔥
Blue Mitchell Quintet – Down With It! – Blue Note Tone Poet Series 180g Vinyl
Blues Masters Volume Two XRCD24
Bob Dylan – Good As I Been To You – 180g 33RPM Mofi SuperVinyl
BOB DYLAN’S FIRST SOLO ACOUSTIC ALBUM IN NEARLY 30 YEARS REMAINS AN OVERLOOKED GEM: GOOD AS I BEEN TO YOU SERVES AS A PRELUDE TO HIS CELEBRATED LATE-CAREER ARC
1/2″ / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g SuperVinyl LP Plays with Riveting Detail
Bobby Jaspar – Modern Jazz au Club St Germain – Barclay Records – 1956 – 180G Vinyl LP
After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, respectively.
Contrary to what its title might suggest, ‘Modern Jazz au Club St-Germain’ was actually recorded in the studio. It features compositions by Milt Jackson, Dizzy Gillespie and Miles Davis along with a handful of standards, in which the angular aridity of bebop gives way to the generous and yet sensitive idiom of cool jazz.
