Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.’S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity’s 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.’s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.
Ry Cooder – Buena Vista Social Club – Analogue Productions 180 Gram 4 LP Vinyl
LIMITED STOCK NOW AVAILABLE
Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.
Salvatore Accardo I Violini Di Cremona XRCD24
Santana – Blues for Salvador – Mofi 180g 33RPM Vinyl LP
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.
Santana – Inner Secrets – Mofi 180g 33RPM Vinyl LP
Now in Stock
SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS Sourced from the Original Analog Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation — and adopting those constructs into appealing songs that surprise, delight, and inspire — flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.
Santana – Abraxas – 180g 33RPM Mofi SuperVinyl LP
BACK IN STOCK ORDER NOW!
Abraxas Remains The Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 On Rolling Stone’s List Of The Greatest Albums Of All Time
Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence
1/4″ / 15 IPS analog master to DSD 64 to analog console to lathe
Sarah Brightman Symphony Live In Vienna XRCD2
2008 Live Recording on XRCD2!
Inspired by Sarah Brightman’s 9th album, Symphony, this live concert in Vienna was recorded and is now available on the audiophile format of XRCD2. The 75 minute concert was recorded on January 16, 2008 at Stephansdom (St. Stephen’s) Cathedral in Vienna, Austria. The music was performed for a small audience of invited guests.
Sarah McLachlan – Solace – Analogue Productions SACD
The Analogue Productions reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now three titles by Canadian songstress Sarah McLachlan have been given this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow.
Solace, McLachlan’s second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.
Sarah Vaughan – Live At Laren 1975 – The Lost Recordings 2LP 180g Vinyl
First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the "Divine" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version
"This is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic'd that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that's how it sounds! Highly recommended." — Music = 10/11; Sound = 9/11 — Michael Fremer
