New York Dolls – New York Dolls – 180g 45RPM Mofi Vinyl 2 LP
Available To Pre-Order
Landmark Debut Established Punk and Glam Foundations: New York Dolls Explodes with Raucous, Swaggering Rock ‘n’ Roll, Includes “Personality Crisis” and “Trash”
Hear the 1973 Record Rolling Stone Named the 301st Greatest Album of All Time in Audiophile Sound for the First Time: Mobile Fidelity’s 180g 45RPM 2LP Set Reveals Brilliance of Todd Rundgren’s Production
1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Nina Simone – In Concert (Philips Acoustic Sounds) 180g Vinyl LP
“Mississippi Goddam” staked out Nina Simone’s support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Norah Jones – Feels Like Home – Analogue Productions Hybrid SACD
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
“I think we’ve gotten something quite a bit better than wh
Mastered by Kevin Gray at Cohearent Audio from the original source recordings!
Part of Analogue Productions’ reissue of the Norah Jones’ solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album is featured in exclusive LP and SACD box sets that include Norah’s Covers album!
2005 Grammy Awards:
Best Female Pop Vocal Performance
“Sunrise”
This product is a Hybrid SACD designed to play in both CD and SACD players, as well as all SACD-compatible DVD players.
at was originally issued,” Marino says. “I think this version is much more representative of what was on the tape. And that’s not a criticism of what was originally done.” – George Marino
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
Oscar Peterson Trio – Live At Concertgebouw 1961 – The Lost Recordings 2LP 180g Vinyl
It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.
Oscar Peterson Trio: Very Tall – Verve Acoustic Sounds Series 180g Vinyl
Very Tall, released in 1961, features the first partnership between Oscar Peterson and vibraphonist Milt Jackson. The quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include “On Green Dolphin Street,” "John Brown's Body" (a jam on "Battle Hymn of the Republic") and "Reunion Blues." Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Otis Redding – Otis Blue- Otis Redding Sings Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
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The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay."
Otis Redding – The Soul Album – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Otis Redding's fourth studio album, released in 1966, features Redding performing songs that he co-wrote, as well as covers of songs by such peers as Sam Cooke, Eddie Floyd, Roy Head and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album, and is also credited as the co-author of three tracks.
