Sarah Vaughan – Live At Laren 1975 – The Lost Recordings 2LP 180g Vinyl
First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the "Divine" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version
"This is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic'd that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that's how it sounds! Highly recommended." — Music = 10/11; Sound = 9/11 — Michael Fremer
Shakey Jake – Mouth Harp Blues – Analogue Productions 45RPM 180g Vinyl
The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam.
Shoji Yokouchi Trio Yuri Tashiro Greensleeves
This is the LA & OC Audio Society version released in an edition of 500 copies on red vinyl. Cover has unique sticker identifying limited edition.
Upon his death in 1996, many within the jazz community heaped fulsome praise on Shoji Yokouchi. To this day, he remains one of Japan's finest jazz guitarists; a dexterous and inventive guitarist capable of playing immaculate, blues-inspired solos on both electric and acoustic guitars. Proof of his skills is provided by this reissue of Greensleeves, an album he recorded in 1978 alongside his regular "Trio" and organist Yuri Tashiro. Musically, the album offers an attractive blend of jazz-funk, "trad" and fusion tracks laden with impeccable solos from both Yokouchi and Tashiro. The best combination of the two players' styles can be found on "Misty", a fine blend of undulating fairground organ flourishes and evocative Spanish guitar.
Simon and Garfunkel – Bridge Over Troubled Water – Mofi SACD
NOW IN STOCK!
Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons — to say nothing about the gorgeous songwriting, meticulous production, and watershed performances — attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats.
Sing and Dance With Frank Sinatra – Impex Hybrid SACD
Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl
Sonny Stitt – Blows The Blues – Acoustic Sounds 180g Vinyl LP
Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially “Hymnal Blues” and the slow, powerful “Morning After Blues.”
Originally released in 1970.