Showing 25–36 of 551 results

Bad Company – Burnin’ Sky – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
Bad Company's Burnin' Sky, released in March 1977, continued to showcase the band's bluesy rock roots, with Paul Rodgers' soulful and powerful vocals leading the way. The album's musical style is characterized by its gritty, guitar-driven sound and blues-infused melodies.
 

Bad Company – Desolation Angels – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone," "Lonely for Your Love," and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the No. 10 mark in the U.K. and to No. 3 in the U.S.
 

Bad Company – Run With The Pack – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
NOW IN STOCK
Released in early 1976, the title track of Bad Company's third album "Run With The Pack" is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures.
"Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song."
 

Ben Webster – Gentle Ben Analogue Productions 200g 45RPM Vinyl

£79.95
"The soundstage is intimate and inviting, Webster's horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP's beautifully flat and wonderfully silent surfaces with that much more "there-ness." Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013

Ben Webster – See You at the Fair (Verve Acoustic Sounds) 180g Vinyl LP Gatefold Sleeve

£49.95
Ben Webster’s final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster’s tone has rarely sounded more beautiful than on “Someone to Watch Over Me” and “Our Love Is Here to Stay.”

Ben Webster Meets Oscar Peterson (Acoustic Sounds) 180g 1LP Gatefold Sleeve

£45.00
Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. Ben Webster Meets Oscar Peterson features some of his finest collaborations with Oscar Peterson, who Webster often stated was his favourite accompanist. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Big John Patton – Let ‘Em Roll – Blue Note (Tone Poet) 180g Vinyl

£29.95
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180-gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Bill Evans and Jim Hall – Undercurrent Mobile Fidelity Vinyl

£55.00

Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop

Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.

Bill Evans Trio – Waltz For Debby – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl

£155.00
Now In Stock
Purest possible pressing and most visually stunning presentation and packaging! One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!
The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans' unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.
 

Bill Withers – Live at Carnegie Hall Mofi 180g 2LP Vinyl MFSL2-44

£79.95
Easygoing Portrait of Down-Home Soul Singer Coming into His Own and Establishing an Indelible Bond Between Performer and Audience

Bill Withers – Still Bill – 180g Mobile Fidelity Numbered SACD

£42.00
Mastered on Mobile Fidelity’s renowned mastering system and housed in mini-LP gatefold sleeve packaging, Mobile Fidelity’s numbered-edition SACD of Still Bill gives this lush classic luxe sonic treatment.

Bill Withers – Still Bill – 180g Mofi Vinyl

£55.00
Now in stock
Mastered On Mobile Fidelity’s Renowned Mastering System And Pressed At Rti For Definitive Sound.
As it celebrates its 50th anniversary, Bill Withers’ Still Bill remains true to its title – and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying “keeping it real” did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music’s approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics – along with Withers’ strong singing, hybrid arrangements, and deceptively simple songwriting – have allowed the album to endure to the point where it sounds as fresh today as in 1972.