Dillard & Clark “The Fantastic Expedition of Dillard & Clark” – Intervention Records 180g Vinyl
The Fantastic Expedition of Dillard & Clark is 100% Analog Mastered from the 1/4″ 15-ips Original Master Tapes by Kevin Gray at CoHEARent Audio!
The tapes sound beautifully dynamic and alive, with tuneful bass, extended highs and three-dimensional imaging.
The IR cut has better separation and punch than ANY previous version of this amazing record!
Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders.
Dizzy Reece – Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece’s Blue Note debut Blues In Trinity.
Donald Byrd – Kofi – Blue Note Tone Poet Series 180g Vinyl
Drawn from two sessions in 1969 and 1970, Kofi found Donald Byrd in the early stages of his transformation from top-notch hard bop trumpeter to fusion pioneer. Byrd explores a variety of textures with bandmates including Frank Foster, Lew Tabackin, Duke Pearson, Ron Carter, Mickey Roker, and Airto Moreira.
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Donald Byrd – Slow Drag Lp (Blue Note Tone Poet Series) – Blue Note Vinyl
More than a dozen albums into his Blue Note tenure, Donald Byrd’s 1967 date Slow Drag would be one of the last pure hard bop sessions that the reliably brilliant trumpeter would cut before his music began evolving towards fusion. Byrd flies high on this highly gratifying set that finds it’s groove across a variety of feels fueled by the tremendous drumming of Billy Higgins. The quintet is rounded out by alto saxophonist Sonny Red, pianist Cedar Walton, and bassist Walter Booker, each of whom contribute original compositions to the set list.
Donald Byrd – Byrd Blows On Beacon Hill (Blue Note Tone Poet Series) 180g Vinyl
Recorded in 1956 for producer Tom Wilson’s Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket with a booklet.
Donald Byrd – Byrd’s Eye View – Blue Note Tone Poet Series 180g Vinyl
Recorded in 1955 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Byrd’s Eye View was trumpeter Donald Byrd’s first issued recording as a leader. The date presented Byrd at the helm of what was then the current line-up of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey.
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Donald Byrd & Bobby Jaspar – Cannes ’58 – Sam Records 180g Vinyl
Donny Hathaway – Everything Is Everything – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Donny Hathaway – Everything Is Everything – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Donny Hathaway: Everything Is Everything 180g Vinyl
Many a musical career began in the gospel church choirs of the black communities, but that of Donny Hathaway must certainly be one of the most meteoric. Rolling Stone magazine named him the 49th greatest singer (of 100) of all time, though this might sound somewhat abstract.
But just the very first few bars of the opening number “Voices Inside” promises a programme in which the instrumental and human voices are on a par.
