Showing 193–204 of 393 results

Jesse Sharps – Sharps and Flats

£45.00
Limited Edition 1000 from the 1/2” MASTER TAPES
Cult Spiritual Jazz album, JESSE SHARPS, how it was intended to be heard from the 1/2” Analog MASTER TAPES. Available for the first time from these Analog sources.

Jethro Tull – Benefit – Analogue Productions 180g 2LP 45RPM Vinyl LP

£75.00
Jethro Tull’s 1970 classic Benefit was their third studio album in as many years, following the successes of This Was (1968) and Stand Up (1969).

Jimmy Smith – Root Down (Verve Acoustic Sounds) 180g Vinyl LP

£59.95
Root Down was Hammond B-3 jazz legend Jimmy Smith’s 1972 live jazz album for Verve. Recorded in Los Angeles on February 8, 1972, it includes the title track, which was sampled by the Beastie Boys for their song “Root Down.” The song peaked at No. 24 on the Billboard Top Jazz Album charts. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.

Jimmy Smith – The Cat (Verve Acoustic Sounds) 180g Vinyl Record

£45.00
The Cat is jazz organist Jimmy Smith’s 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.

Joan Baez – Diamonds & Rust – Analogue Productions 180g 45RPM 2LP

£75.00
Now available on 45 RPM for better tracking, formative detail!
Joan Baez — Diamonds & Rust 180-gram 45 RPM Double LP
Numbered and strictly limited to 2,000 copies

Joan Baez – Diamonds and Rust in the Bullring – Analogue Productions SACD

£45.00
Mastered from the original analog tape by Kevin Gray at Cohearent Audio  

Joe Jackson – Body And Soul – Intervention Records 180g 45RPM 2LP Vinyl

£75.00
Body and Soul is Joe Jackson’s jazz-infused followup to his 1982 smash Night and Day. It features two of Joe’s most cherished compositions, “You Can’t Get What You Want (Till You Know What You Want)” and “Be My Number Two.”

Joe Jackson – Summer in the City – Intervention Records 180g 2LP Vinyl

£60.00
Experience the vibrant energy of Joe Jackson's Summer in the City like never before with the Intervention Records 180g 2LP Vinyl.
This meticulously remastered edition delivers unparalleled sound quality, bringing out the richness of every note.
The double LP format ensures an expansive and immersive listening experience, perfect for both long-time fans and new listeners.
Don't miss the chance to own this audiophile-grade release, a must-have for any serious vinyl collector.

Joe Lovano – Trio Fascination: Edition One – Tone Poet Vinyl Series

£60.00
On his remarkable 1997 album Trio Fascination: Edition One saxophonist Joe Lovano joined forces with two all-time legends—bassist Dave Holland and drummer Elvin Jones—in a spare trio setting that finds these three masters conversing freely. This stereo Tone Poet Vinyl Edition marks the album’s first-ever release on vinyl and was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) 180g Vinyl

£75.00
The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.

John Coltrane – Coltrane Plays The Blues – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
NOW IN STOCK
These recordings come from the same sessions that produced 1961's My Favorite Things. This is one of the least well-known Coltrane albums, partly because it is an all blues format and partly because it was released at the end of his association with Atlantic records.
 

John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
In Stock
John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.