Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition 180g LP
Audiophile 180g 33rpm Vinyl LP Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!
Alan Parsons – I Robot – MoFi Ultradisc 180g 33RPM Box Set
IN STOCK - 1 DISC X 33RPM 1 STEP
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP LP ELEVATES THE AUDIOPHILE STANDARD WHILE OFFERING ONE-FLIP CONVENIENCE Most audiophiles know Alan Parsons Project's I Robot by heart. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 33RPM box set and the question becomes moot.
Alan Parsons – I Robot – MoFi Ultradisc 180g 45RPM 2LP Box Set
AVAILABLE TO PRE-ORDER
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.
Alan Parsons Project – Eye in the Sky – MOFI 2 x 180g 45RPM Vinyl
In Stock Now
You don’t need to be ‘Old & Wise’ to know this is an absolute essential!
Mastered from the original master tapes, Mobile Fidelity’s RTI pressed 180g 45RPM 2LP and hybrid SACD versions of Eye in the Sky feature succulent warmth, magnificent balance, low-end heft, and see-through transparency that take you into the studio with Parsons at Abbey Road Studios. Each note seems perfectly placed, every sequence painstakingly considered. Boasting front-to- back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, the reissues illustrate the lasting importance of perfectionist-minded engineering and recording techniques. These releases will test the capabilities of the world’s finest stereo systems. There’s more information, more texture, more nuance— more of everything to be experienced. British progressive rock would never again sound so sophisticated, suave, or steady.
Alanis Morissette – Supposed Former Infatuation Junkie – 180g 33RPM 2LP Mofi Vinyl
Available to Pre-Order
Alanis Morissette Delivers the Equivalent of a Spiritual Awakening on Supposed Former Infatuation Junkie: Introspective Themes and Compassionate Emotions on Eastern-Tinged Album Have Grown More Relevant
1998 Smash Plays with Enhanced Detail, Rich Textures, and Sharp Focus on Mobile Fidelity’s 180g 33RPM 2LP Set: First-Ever Audiophile Edition Strictly Limited to 3,000 Numbered Copies
1/2″ / 30 IPS analog master to DSD 256 to analog console to lathe
Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.
Alice Coltrane – Journey In Satchidananda – Acoustic Sounds (Verve) 180G Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Amanda McBroom Midnight Matinee XRCD24
Available for the first time on XRCD24 – this release was produced by Peter Bunetta and Rick Chudacoff for Ripe Productions, also the producers for Dreaming. (To their credits they have also produced Michael Bolton’s Soul Survivor, Smokey Robinson’s One Heartbeat and Patti LaBelle’s New Attitude.) Guests on the project include Bob James, who plays keyboards on two tracks, guitarist Robben Ford and keyboardist Brad Cole, who plays with the Phil Collins Band. Audiophiles who’ve enjoyed Amanda’s work for years will certainly want to finally include this XRCD24.
Anne Bisson – Keys To My Heart 180g 45RPM One Step Vinyl
Anne Bisson Trio Four Seasons In Jazz Live At Bernie’s Vinyl
Anthony Williams – Life Time Blue Note Tone Poet Series 180g Vinyl LP
Drummer Tony Williams had joined Miles Davis’ band and played on landmark Blue Note albums by the time he recorded his 1964 debut album Life Time at age 18. These five adventurous original compositions featured Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, Gary Peacock and Richard Davis. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
ART BLAKEY & THE JAZZ MESSENGERS – DRUM SUITE – 180g Impex Records
Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others.
However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.
