Santana – Blues for Salvador – Mofi 180g 33RPM Vinyl LP
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BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.SANTANA – SANTANA – MOFI 2 x 180g VINYL
Santana – Amigos – 180g 33RPM Mofi Vinyl LP
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Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180g 33RPM LP Is Strictly Limited to 3,000 Numbered Copies 1/4″ / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities.Sarah Vaughan – Live At Laren 1975 – The Lost Recordings 2LP 180g Vinyl
First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the "Divine" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version
"This is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic'd that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that's how it sounds! Highly recommended." — Music = 10/11; Sound = 9/11 — Michael Fremer
Shakey Jake – Mouth Harp Blues – Analogue Productions 45RPM 180g Vinyl
The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam.