The Beach Boys – Surfer Girl – Analogue Productions 200g 45RPM 2LP Vinyl
The ultimate pressings of the Beach Boys discography from Analogue Productions!
“These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original.” — Chad Kassem, owner and CEO, Acoustic Sounds.The Duke Jordan Trio So Nice Duke XRCD24
Superior Audiophile Sound on XRCD24!
Jazz pianist Duke Jordan is joined here by Jesper Lundgaard on bass and Aage Tanggaard on drums for a session recorded live at Nagaya on June 14, 1982. Jordan was born in New York and raised in Brooklyn. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker’s so-called “classic quintet” (194748), featuring Miles Davis. He participated in Parker’s Dial sessions in late 1947 that produced “Dewey Square,” “Bongo Bop,” “Bird of Paradise,” and the ballad “Embraceable You.” These performances are featured on Charlie Parker on Dial.The Fabulous Fats Navarro Vol. 1 Tone Poet Classic Vinyl Series
The prodigiously talented trumpeter Fats Navarro was a bebop innovator whose career was cut tragically short when he died in 1950 at age 26. As part of the 1500 series Blue Note later compiled this 12” LP with selections from various dates Fats had featured on from 1947–49 with the Tadd Dameron Sextet, Bud Powell Quintet, and the McGhee-Navarro Boptet.
This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.
The Groundhogs – Scratching The Surface – Pure Pleasure Records 180G Vinyl
The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy.
Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past.
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.
Originally released in 1962
The Thelonious Monk Quartet – Straight No Chaser 180g Audiophile Vinyl
180-GRAM 33RPM 2LP SET
This mid-period masterwork from jazz piano’s most uncommon voice find Monk and his quartet ( Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk’s more idiosyncratic side-tracks (check out the solo on “Locomotive” or the restless exposition on “Japanese Folk Song”) while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.