The Famous Sound of Three Blind Mice Vol.1 2LP 180 Gram Vinyl Limited Edition Impex Records 2018
By 1998 interest in Takeshi ‘Tee’ Fujii’s phenomenal success with his Three Blind Mice jazz label led him to make a compilation of his favorite tracks. He chose recordings made between 1973 and 1978 for the resulting album, which he titled The Famous Sound of Three Blind Mice, Vol. 1. The most popular and sought after tunes were all included, cut by Chris Bellman at Bernie Grundman Mastering!
- Limited Edition
- First Time Available on Audiophile Vinyl!
- 2LP 180 Gram Vinyl Pressed at RTI, USA
- Cut by Chris Bellman
- Remastered at Bernie Grundman Mastering
- Deluxe Gatefold Cover
The Funk Firm Boing Isolation Feet
- Isolates turntable from acoustic feedback and seismic vibration from footfall etc.
- Replacement turntable feet with spring and damper isolation solution
- Adjustable spring rate by adding or subtracting springs copes with a range of turntable weights ensures that the resonant frequency is below the listening range
- Damping can be added to reduce motion – especially useful for DJ’s
The Funk Firm Boing Isolation Feet for Clearaudio Concept
- These feet are for the Clearaudio Concept turntable set of 3 feet
- Isolates turntable from acoustic feedback and seismic vibration from footfall etc.
- Replacement turntable feet with spring and damper isolation solution
- Adjustable spring rate by adding or subtracting springs copes with a range of turntable weights ensures that the resonant frequency is below the listening range
- Damping can be added to reduce motion – especially useful for DJ’s
The Funk Firm Boing Isolation Feet for Technics SL1200/1210 Turntables
- These feet are for the Technics SL1200/1210 turntable set of 4 feet
- Isolates turntable from acoustic feedback and seismic vibration from footfall etc.
- Replacement turntable feet with spring and damper isolation solution
- Adjustable spring rate by adding or subtracting springs copes with a range of turntable weights ensures that the resonant frequency is below the listening range
- Damping can be added to reduce motion – especially useful for DJ’s
The Gil Evans Orchestra – Out Of The Cool 180g – Acoustic Sounds Verve Re-Issue
“The album is worth getting for the 15 minutes of ‘La Nevada’ alone but the rest is equally great including the cinematic side closer ‘Where Flamingoes Fly.’ … The sonics here with a cut from the master tape by Ryan K. Smith (yes, the master tape- I have a current photo that for some reason I can’t share with you) are incredibly transparent, spacious and flat-out thrilling … and somewhat brighter and less mid-band rich than the long out of print Alto-Analogue edition Bernie Grundman cut in 1997. Both are worth having for different sonic reasons and if you have a clean original Rudy Van Gelder cut (A-4) you may think you are set, but that cut is less spacious, somewhat dynamically compressed, has the RVG lower bass roll-off and is definitely less transparent — not that it’s bad and some people do like the more ‘in your face’ excitement. This one’s here now though! Do not miss it!” — Music = 10/11; Sound = 10/11 – Michael Fremer, AnalogPlanet.com.
The Groundhogs – Scratching The Surface – Pure Pleasure Records 180G Vinyl
The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy.
Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past.
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.
Originally released in 1962
THE RIGHT ONE RECORD CLEANING FLUID
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
The Spinners – Spinners 180g Mofi Vinyl
Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell's Melodic Arrangements: Few Albums Sound Creamier Than This Watershed Effort
The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band's first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic – a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell's flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.
