Robert Glasper – In My Element – Blue Note Classic Vinyl Series 180g 2LP Vinyl
Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.
This 2-LP Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.
Roy Haynes – Out Of The Afternoon – Analogue Productions 180g Vinyl
Released in the summer of 1962 on Impulse! Records, Out Of The Afternoon is an album by jazz drummer Roy Haynes. It features multi-instrumentalist Roland Kirk among the musicians in the Haynes Quartet.
Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre: Miles, Coltrane, Monk, Bud Powell, Sarah Vaughan, Sonny Rollins, Eric Dolphy, Milt Jackson, McCoy Tyner and Jackie McLean. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s.
Run DMC – King of Rock – Mofi 180g SuperVinyl LP
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.Run DMC – King of Rock – Mofi SACD
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: HYBRID SACD PLAYS WITH VISCERAL IMMEDIACY
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.Run DMC – Raising Hell – Limited Edition Mobile Fidelity 180g Supervinyl
Run DMC – Raising Hell – Limited Edition Mofi Hybrid Stereo SACD
Among the Most Influential, Inventive, Invigorating Records Ever Released: Run-D.M.C.’s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash “Walk This Way”
Mastered from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity Hybrid SACD Dramatically Heightens Rick Rubin’s Pioneering Production
Ry Cooder & V.M. Bhatt ‘A Meeting By The River’ Analogue Productions 180g, 45RPM 2LP
I was expecting the sound to be exceptional, but I was wrong. It was breathtaking, it was like I was there or they were there in person performing for me.....that is how good it is. And the music, nothing else to say but it is real....... I wanted to get the test pressing after listening to this and may do so in the near future.
45 RPM mastering and 200-gram pressing by Quality Record Pressings!