Nagaoka MP500 MM Cartridge
Nagaoka's Flagship Cartridge
The Nagaoka MP500 phono cartridge offers the highest musical and creative expression of the new MP series. It expertly extracts and reproduces with vivid, colorful and dimensional clarity what others miss. Meet our little friend - the Nagaoka MP500 phono cartridge - the master of the grooves.
Nagaoka RS-LP2 Record Inner Sleeves – Pack of 50
Probably the most well-known Record Inner sleeves in the world
The ultra-sleek design will allow you to easily glide an LP into the tightest fitting jackets. These Are Identical to the original inner sleeves that came with japanese pressings during the 1980's. Completely static free & non-abrasive. Inner sleeves are, over the years, liable to tear or accumulate dust on the inner surfaces and this could result in scratches on your valuable records. These sleeves are treated by a special static prevention process to eliminate static electricity.
Quite simply, the ultimate record sleeve.
Nagra 70th Year Anniversary Audiophile Collection Album
Nat King Cole – After Midnight – Pure Pleasure Records 180g 2LP Gatefold Sleeve Vinyl LP
Nat ‘King’ Cole’s music is the perfect combination of romantic charm and musical invention.
Cole is renowned for his big production numbers and pop hits such as ‘Stardust,’ but he was also an accomplished and unique jazz pianist and excelled in a small-group setting.
After Midnight’s album cover states that this is a ‘trio’ release.
Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter’s voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.
New York Dolls – New York Dolls – 180g 45RPM Mofi Vinyl 2 LP
Available To Pre-Order
Landmark Debut Established Punk and Glam Foundations: New York Dolls Explodes with Raucous, Swaggering Rock ‘n’ Roll, Includes “Personality Crisis” and “Trash”
Hear the 1973 Record Rolling Stone Named the 301st Greatest Album of All Time in Audiophile Sound for the First Time: Mobile Fidelity’s 180g 45RPM 2LP Set Reveals Brilliance of Todd Rundgren’s Production
1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Nina Simone – I Put A Spell On You – Acoustic Sounds Re-Issue
- Acoustic Sounds Series reissues from Verve/Universal Music Enterprises!
- Monthly releases highlighting the world's most historic and best jazz records!
- Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes
- 180-gram LPs pressed at Quality Record Pressings!
- Stoughton Printing gatefold old-style tip-on jackets
- Series supervised by Chad Kassem CEO of Acoustic Sounds
Nina Simone – In Concert (Philips Acoustic Sounds) 180g Vinyl LP
“Mississippi Goddam” staked out Nina Simone’s support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Norah Jones – Feels Like Home – Analogue Productions Hybrid SACD
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
“I think we’ve gotten something quite a bit better than wh
Mastered by Kevin Gray at Cohearent Audio from the original source recordings!
Part of Analogue Productions’ reissue of the Norah Jones’ solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album is featured in exclusive LP and SACD box sets that include Norah’s Covers album!
2005 Grammy Awards:
Best Female Pop Vocal Performance
“Sunrise”
This product is a Hybrid SACD designed to play in both CD and SACD players, as well as all SACD-compatible DVD players.
at was originally issued,” Marino says. “I think this version is much more representative of what was on the tape. And that’s not a criticism of what was originally done.” – George Marino
Oasis – Definitely Maybe – 30th Anniversary Vinyl LP
New 30th anniversary formats released to celebrate this landmark date include a Limited Edition deluxe 4LP and 2CD featuring including the previously unreleased and discarded original recording session from Monnow Valley along with outtakes from Sawmills Studios plus a demo of Sad Song featuring Liam’s vocal – all recently mixed for this release by Noel Gallagher and Callum Marinho. LP formats also include a retail exclusive coloured vinyl format – Digsy’s Dinner inspired “Strawberries and cream” pink and white marble 2LP.
All versions feature brand new artwork by the original art designer Brian Cannon for Microdot and original sleeve photographer Michael Spencer Jones, plus new sleeve notes.
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
