Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
Kenny Dorham – Matador Numbered Limited Edition HQ-180g Vinyl LP
• Numbered, Limited Edition
• Limited To 5000 Pressings
• Audiophile 180g Vinyl LP
• 33rpm
• Available on all-analog LP for the first time in nearly 50 years
• First time ever on HQ-180
• Mastered by Chris Bellman from the original analog master tapes
• Original single disc jacket with ribbed paper tip-on over heavy-board stock
• Pressed at RTI
Anne Bisson Trio Four Seasons In Jazz Live At Bernie’s Vinyl
Rimsky Korsakov – Scheherazade – Chasing The Dragon Audiophile Vinyl
Joni Mitchell – Blue – MoFi 180g 45RPM SuperVinyl 2LP Box Set
NOW IN STOCK!!
Blue Reaches New Audiophile Heights On Ultradisc One-Step
Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance – and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set.
Bill Evans and Jim Hall – Undercurrent Mobile Fidelity Vinyl
Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop
Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.
Yes – Close To The Edge- Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
