Dexter Gordon – Go – Blue Note – 180G Blue Coloured Vinyl LP
Hard Bop Mastery with Audiophile Warmth
Swinging, lyrical, and effortlessly cool—Dexter Gordon’s landmark session, pressed to perfection.
Originally released in 1962, Go! is one of the finest recordings of tenor sax legend Dexter Gordon’s career. Captured in a single day by the legendary Rudy Van Gelder and released on Blue Note Records, the album pairs Gordon’s soulful phrasing and fluid tone with an exceptional rhythm section featuring Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums).
This 180g coloured vinyl edition—pressed in striking blue—offers both visual flair and serious sonic substance. The remastering preserves the warmth and intimacy of the original tape, with rich midrange detail, clean cymbals, and Gordon’s unmistakable tenor sound delivered with natural depth and presence. Whether it’s the laid-back groove of Cheese Cake, the ballad beauty of I Guess I’ll Hang My Tears Out to Dry, or the bluesy swing of Love for Sale, every track feels alive in the room.
A true Blue Note classic—Go! is essential listening for any jazz enthusiast and a standout pressing for audiophiles who appreciate analogue finesse and timeless performances.
Ornette Coleman – Ornette on Tenor – Vinyl LP
Ornette Coleman – Ornette on Tenor Vinyl LP: Free Jazz, Fully Unleashed in Analogue Form
Bold, boundary-breaking, and brimming with energy, Ornette on Tenor captures the legendary saxophonist in full creative flight. Shifting from alto to tenor sax, Coleman explores deeper tones and freer forms with his classic quartet. Pressed on vinyl for rich texture and dynamic impact, this is essential listening for adventurous audiophiles and jazz purists alike.
Ornette Coleman – Ornette! – Speakers Corner 180g Vinyl LP
Ornette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work – in the fact that he always went beyond himself to the very end.
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
