Steely Dan – The Royal Scam – Analogue Productions Hybrid Stereo SACD
Now available to pre-order
Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on UHQR vinyl Box Sets and Hybrid SACDs.
Expect huge demand. Pre-order now!
Steely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976.
The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks.
- Hybrid Stereo SACD release from Analogue Productions!
- Mastered direct to DSD from the original master tape by Bernie Grundman
- Plays in all CD and SACD players
Taj Mahal – Labor of Love (33 RPM) Analogue Productions Audiophile Vinyl
- Vinyl-only release!
- Previously unreleased late 1990s recordings!
- 180-gram vinyl pressed at Quality Record Pressings!
- Mastered by Kevin Gray at Cohearent Audio from original 44.1kHz/16-bit session recordings
- Taj Mahal, loose and casual in informal recording sessions with peers
- Taj performs with guest artists: John Dee Holeman, Cool John Ferguson, Cootie Stark and Algia Mae Hinton
Tchaikovsky / Monteux / Boston Symphony – Symphony No 4 – Analogue Products 200g Vinyl
Analogue Productions’ RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, “Living Stereo” logo, “Shaded Dog” label and all!
The Beach Boys – Surfin’ Safari (Mono) – Analogue Productions Hybrid SACD
The ultimate pressings of the Beach Boys discography from Analogue Productions! Original mono mix created in 1962 under Brian Wilson's supervision Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Hybrid Mono SACD (Note: Surfin' Safari is HYBRID MONO ONLY) plays in both CD and SACD players, as well as all SACD-compatible DVD players
"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds
The Beach Boys – Surfer Girl – Analogue Productions 200g 45RPM 2LP Vinyl
The ultimate pressings of the Beach Boys discography from Analogue Productions!
“These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original.” — Chad Kassem, owner and CEO, Acoustic Sounds.
THE DOORS – STRANGE DAYS – 2LP
45RPM
200G Vinyl
ANALOGUE PRODUCTIONS
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors – Morrison Hotel – 180g 45RPM Analogue Productions Vinyl
Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded.”
- Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
- Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
- Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors – The Doors – Analogue Productions – 2 x 180g 45RPM Vinyl
Please note: The Doors was a 4-track recording. As such, the surround portion of this multichannel mix is intended to be room ambiance. Please also note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies.
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been “corrected” versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction.
The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl
A 2014 Stereophile ‘Record To Die For’
Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
