Showing 25–36 of 109 results

The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl

£85.00
A 2014 Stereophile ‘Record To Die For’ Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.

Dream With Dean – The Intimate Dean Martin – Analogue Productions 45RPM Vinyl

£85.00
Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes
Plated and pressed by Quality Record Pressings
Deluxe “tip-on” gatefold jackets by Stoughton Printing

Duke Ellington – Duke’s Big 4 – Analogue Productions 180g Vinyl LP

£49.95
An outstanding Pablo pressing (A++ sound) featuring jazz piano legend Duke Ellington at the helm of a small group session with Joe Pass on guitar, Ray Brown on bass, and Louie Bellson on drums, recorded in January 1973 and released in 1974. Considered a timeless classic, Duke’s Big 4 is described by AllMusic as “One of Duke Ellington’s finest small group sessions from his final decade … Ellington’s percussive style always sounded modern and here he comes up with consistently strong solos. … Highly recommended.”

THE DOORS – STRANGE DAYS – 2LP

£85.00
45RPM 200G Vinyl ANALOGUE PRODUCTIONS Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl

£55.00
"The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards." — Wax Time

Ernest Ansermet – The Royal Ballet Gala Performances (2 LP + Book) – Analogue Productions 180g Vinyl

£99.95
Analogue Productions  is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22-page lavishly illustrated book that's integrated into the tip-on gatefold jacket. If you're new to ballet, this pictorial history will introduce you to some of its most famous productions — old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example — but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.

Steely Dan – The Royal Scam – Analogue Productions Hybrid Stereo SACD

£49.95

Now available to pre-order 

Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on UHQR vinyl Box Sets and Hybrid SACDs.
Expect huge demand. Pre-order now!
Steely Dan's gold-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976.
The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks.
  • Hybrid Stereo SACD release from Analogue Productions!
  • Mastered direct to DSD from the original master tape by Bernie Grundman
  • Plays in all CD and SACD players

Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl

£59.95
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket. If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.

Willie Nelson – And Then I Wrote – Analogue Productions 180g 45RPM Vinyl

£65.00
Willie Nelson’s iconic 1962 debut album! Now a 45 RPM Analogue Productions reissue!
… and then I wrote includes “Crazy,” “Hello Walls,” “Funny How Time Slips Away” and more! 180-gram 2LP vinyl by Quality Record Pressings! Mastered by Matthew Lutthans at The Mastering Lab by Acoustic Sounds from the original analog tape Sleeved in a deluxe Stoughton Printing tip-on gatefold jacket

Otis Redding – Otis Blue – Analogue Productions 45RPM 180g Vinyl

£69.95
Remastered by Kevin Gray at Cohearent Audio from the original analog tapes 200-gram 45 RPM double LP plated and pressed at Quality Record Pressings! Tip-on gatefold jacket from Stoughton Printing This is not the Atlantic 75 series version.

John Coltrane – Lush Life – Analogue Productions 180g (Mono) Vinyl

£49.95
Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse.

John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl

£50.00
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.