Miles Davis – Kind Of Blue (Corrected Speed) Analogue Productions 180 Gram Black 2LP
IN STOCK NOW
BLACK vinyl edition limited to 1,500 numbered copies! A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue. The motor on the studio’s 3-track master recorder was running slowly the day of the album’s first session. This speed issue affected the album’s first three tracks, “So What,” “Freddie Freeloader” and “Blue in Green,” making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late ’90s. This edition also contains on Side 4 “Flamenco Sketches (alternate take)” cut at 45 RPM.
Miles Davis – Kind Of Blue (Corrected Speed) Analogue Productions 180 Gram Black 2LP
Black vinyl version.
A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.
The motor on the studio’s 3-track master recorder was running slowly the day of the album’s first session. This speed issue affected the album’s first three tracks, “So What,” “Freddie Freeloader” and “Blue in Green,” making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late ’90s. This edition also contains on Side 4 “Flamenco Sketches (alternate take)” cut at 45 RPM.
Miles Davis Black Beauty: Miles Davis At Fillmore West – 180g 33RPM 2LP Mofi Vinyl
Miles Davis – Black Beauty: Miles Davis at Fillmore West is an extraordinary live recording capturing the innovative genius of Miles Davis at the iconic Fillmore West venue. Recorded with pristine clarity, this release showcases electrifying performances of timeless jazz classics that highlight Davis’s masterful trumpet work and his ensemble’s seamless interplay. Pressed on high-quality vinyl, this album delivers a rich, immersive listening experience with warm, dynamic sound. A must-have for dedicated jazz aficionados and vinyl collectors, it stands as a timeless testament to Miles Davis’s live brilliance.
MILTY ZEROSTAT 3 ANTI-STATIC GUN
Effective at neutralising static charges on virtually any surface without the need or sprays.
The Zerostat 3 is highly rated for its ability to improve the sound quality of records and CDs by removing static.
It incorporates a unique Piezo Crystal device, which generates a positive electrical charge of ions with one gentle squeeze of the trigger, and a negative charge on release of the trigger, thus cancelling the charge on any object.
No batteries or refills are required – the Milty Zerostat 3 will give a lifetime of service
Moby – Reprise Remixes – 2LP Gatefold Vinyl Record
“A beautifully reimagined 2LP gatefold edition of Moby’s Reprise Remixes — spacious electronic reinterpretations with rich, detailed analogue depth.”
A clean and well-presented 2LP gatefold release featuring electronic and ambient reinterpretations of Moby’s Reprise project. Spacious, detailed and thoughtfully compiled — a strong choice for collectors and fans of modern remix work.
Motörhead – No Sleep ’til Hammersmith – Reissue edition Vinyl LP
“A high-impact reissue of Motörhead’s legendary live album — raw energy, classic tracks and unmistakable stage power on vinyl.”
A powerful reissue of Motörhead’s classic 1981 live album. Featuring “Ace of Spades” and other key tracks, this pressing delivers the band’s trademark volume and drive with clean, confident analogue impact. Essential for any rock collection.
Norah Jones – Come Away With Me – Gatefold Vinyl Record
Norah Jones – Come Away With Me Vinyl LP: Intimate, Elegant, and Pressed for Analogue Purity
Released in 2002 on Blue Note, Come Away With Me introduced Norah Jones as a genre‑blurring force—merging jazz sensibility with folk, soul, and pop influences. The album features standout tracks such as Don’t Know Why, Cold, Cold Heart, and the title track Come Away With Me.
This vinyl pressing brings out the subtleties of the production—warm mid‑tones, transparent vocals, and a lush acoustic soundstage—ideal for high‑fidelity listening. The combination of Norah’s expressive voice, intimate piano work and layered instrumentation creates an immersive experience that rewards close listening.
For anyone seeking an album that blends musical elegance with sonic refinement, this pressing of Come Away With Me is a must‑have—timeless in both content and delivery.
Opeth – Watershed (Silver/Black Marble Vinyl) – 2LP Gatefold Vinyl Record
“A striking 2LP silver/black marble edition of Opeth’s Watershed — rich dynamics, atmospheric detail and a standout gatefold presentation.”
A premium 2LP silver/black marble edition of Opeth’s 2008 classic. Dynamic, detailed and confidently presented, with key tracks like “Heir Apparent” and “Burden.” A striking, collector-friendly pressing.
Orb – Orb’s Adventures Beyond the Ultraworld – 140G 2LP Vinyl Record
“A spacious 140g 2LP edition of The Orb’s ambient-house landmark — expansive soundscapes, deep texture and immersive analogue flow.”
A clean 140g 2LP pressing of the Orb’s ambient-house classic. Features “Little Fluffy Clouds,” “Perpetual Dawn,” and more, with a spacious analogue presentation that suits its atmospheric depth. A strong choice for electronic collectors.
Ornette Coleman – Ornette on Tenor – Vinyl LP
Ornette Coleman – Ornette on Tenor Vinyl LP: Free Jazz, Fully Unleashed in Analogue Form
Bold, boundary-breaking, and brimming with energy, Ornette on Tenor captures the legendary saxophonist in full creative flight. Shifting from alto to tenor sax, Coleman explores deeper tones and freer forms with his classic quartet. Pressed on vinyl for rich texture and dynamic impact, this is essential listening for adventurous audiophiles and jazz purists alike.
Ornette Coleman – Ornette! – Speakers Corner 180g Vinyl LP
Ornette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work – in the fact that he always went beyond himself to the very end.
