Run DMC – Raising Hell – Limited Edition Mobile Fidelity 180g Supervinyl
Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.’S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity’s 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.’s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.
Santana – Amigos – 180g 33RPM Mofi Vinyl LP
IN STOCK NOW
Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180g 33RPM LP Is Strictly Limited to 3,000 Numbered Copies 1/4″ / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities.
Sara K – The Chesky Collection – Chesky Records 180g Vinyl LP
Experience the best of Sara K. with The Chesky Collection, now available on Chesky Records' 180-gram vinyl LP. This audiophile-grade release showcases her most captivating performances, featuring soulful vocals, intricate acoustic guitar work, and immersive soundscapes. Mastered with Chesky’s world-renowned high-fidelity recording techniques, this limited-edition vinyl pressing delivers an exceptionally rich and dynamic listening experience, making it an essential addition for audiophiles, vinyl collectors, and fans of acoustic excellence.
Own the ultimate Sara K. collection—order your 180G Vinyl LP today!
Sara K. – Hobo – Chesky Records 180G Vinyl LP
Seamlessly blending the acoustic rootsiness of folk with the harmonic subtlety of jazz, the earthy fire of the blues, and the confessional lyricism of singer/songwriter rock, Hobo is a 1997 award-winning album that showcases the genre blurring brilliance of Dallas singer-songwriter Sara K.
Alongside ten original numbers – including the poignant ‘Moving Big Picture’ and the gorgeously meditative title track – Sara K. covers Rodgers & Hammerstein’s perennial show tune favorite ‘You’ll Never Walk Alone,’ and a surprising revamp of ‘Brick House,’ ‘The Commodores’ ’70s funk classic. A stunning showcase for Sara K’s unique artistry.
This audiophile classic is reissued on 180gram One Step Pressing LP
Shakey Jake – Mouth Harp Blues – Analogue Productions 45RPM 180g Vinyl
The late James Harris earned the moniker "Shakey Jake" due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping "Easy Baby," a tune also associated with Jake's nephew Magic Sam.
Simply Analog – Vinyl Record Cleaning Box Set
Sing and Dance With Frank Sinatra – Impex Hybrid SACD
Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl
Sonny Rollins – East Broadway Run Down – Impulse (Acoustic Sounds Series) 180g Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.
The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Sonny Rollins – Way Out West – Analogue Productions 45RPM UHQR 200g Double LP on Clarity Vinyl
NOW IN STOCK
Sonny Rollins’ groundbreaking album _ Now on UHQR!
200-gram 45 RPM 2LP release Numbered edition limited to 2,750 copies! Mastered AAA by Bernie Grundman from the original analog tapes Set includes deluxe 16-page booklet telling the history of Contemporary Records together with new album liner notes by John Koenig, son of the label founder- Pressed on Clarity Vinyl at Quality Record Pressings
- Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish
- Purest possible pressing and most visually stunning presentation and packaging!
- A classic of the genre, Rollins’ first album for the Contemporary Records label!
Sonny Stitt – Blows The Blues – Acoustic Sounds 180g Vinyl LP
Sonny Stitt led a number of excellent record dates in 1959, especially at the end of the year when he produced three LPs for Verve over a span of three sessions with pianist Lou Levy, bassist Leroy Vinnegar and drummer Mel Lewis. Playing alto sax throughout this album, Stitt hardly sounds like a Charlie Parker clone, something that unfortunately was a frequent claim by tin-eared critics throughout a fair portion of his career. The music includes several potent originals, especially “Hymnal Blues” and the slow, powerful “Morning After Blues.”
Originally released in 1970.
