Oscar Peterson Trio – Live At Concertgebouw 1961 – The Lost Recordings 2LP 180g Vinyl
It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.
Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Paris ’58 – Donald Byrd & Bobby Jaspar – Sam Records 180G Vinyl LP
Patricia Barber – Companion 1STEP Numbered Limited Edition Impex 180g 45rpm 2LP Vinyl
Now in Stock
Impex 1STEP #5 celebrates Patricia Barber’s 1999 “return” to The Green Mill, Chicago’s fabled jazz club. Conceived as a “companion” to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre ("work").
Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl
Pink Floyd – The Dark Side Of The Moon – Analogue Productions Hybrid Multichannel SACD
Now In Stock
This is a big one! This is likely to go out of print VERY quickly, much like ‘Wish You Were Here’, so please order wisely and get your orders in before it’s too late.
A multitrack masterpiece. Mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd Producer/Engineer James Guthrie
Rolling Stone 500 Greatest Albums List — Rated 43/500
Another classic Pink Floyd title receives the multichannel reissue treatment and Acoustic Sounds and Analogue Productions is once again proud to handle exclusive distribution of this monumental SACD. How lucky we all are to hear this legendary studio recording realize its full potential. The SACD also of course includes a stunning stereo mix. And as this is a hybrid disc, the album is of course also playable on a standard CD player.
Prokofiev: Alexander Nevsky – Lieutenant Kijé Suite – Reference Recordings HDCD
PS Audio Gold SACD – Special Offer
“Carly Ricks Smith’s voice is unforgettable, a wonderful cross between the folky soprano of a young Joni Mitchell and the jazz-heavy range of Lake Street Dive’s Rachel Price.”..... FoxFeather
“”Stunning!” The six unaccompanied cello suites are a cornerstone of the classical cello repertoire.” .... Bach Cello Suites
Ravi Shankar – Shankar Family & Friends – 180g 33RPM Mofi Vinyl
A Lost Classic: Ravi Shankar And George Harrison’s Shankar Family & Friends Weds Eastern And Western Music
Sourced From The Original Master Tapes And Limited To 3,000 Numbered Copies: Mobile Fidelity’s 180G Vinyl Lp Of 1974 Album Features Remarkable Airiness And Aura
1/4″ / 15 IPS analog master to DSD 256 to analog console to lathe
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles' self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the record, its raison d'etre.
