John Prine – John Prine – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.
Joseph Bonner – Impressions Of Copenhagen – Pure Pleasure Records 180g Vinyl LP
Originally released by Theresa in 1992, this frequently exquisite set features the McCoy Tyner-inspired piano of Joe Bonner on four originals, Cal Massey’s Quiet Dawn, and Lush Life.
Bonner and a rhythm section are joined by a string quartet, trumpet, trombone, and flutist Holly Hofmann (the leader provided the arrangements) for music that is both lyrical and often passionate.
Bonner is an underrated talent, and this is one of his finest recordings
Kenny Burrell – Guitar Forms – Acoustic Sounds Verve 180g Vinyl Gatefold Sleeve
1966 Grammy nominee for Best Instrumental Jazz Performance — Large Group or Soloist with Large Group, and Best Album Cover — Photography.
A cornerstone of any jazz library. Kenny Burrell's concept for this album was to demonstrate a variety of jazz guitar styles. And he does so, masterfully. Of particular interest "Moon and Sand" by Burrell and the Gil Evans Orchestra showcases an engaging guitar performance with a Latin combo.
Kenny Burrell – K.B. Blues – Blue Note Tone Poet Series 180g Vinyl
Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.
Kenny Burrell and Jackie McLean – Inta Somethin’ – Blue Note Tone Poet 180g Vinyl
Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.
The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat." A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.
Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins
Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.
"It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings," Gray told music reviewer Michael Fremer.
Knosti Disco Antistat Ultrasonic Record Cleaning Machine Mk ONE
this mark one model
Automatic Ultrasonic Record Washing Machine
Disco-Antistat Ultrasonic – The most thorough way to wash records! Our record washing machine Disco-Antistat Ultrasonic combines over 40 years of experience in the cleaning of records with highly developed, state-of-the-art cleaning technology. The combination of ultrasonic cleaning and our proven goat hair brush system ensures gentle, groove-deep cleaning of your records and an audible improvement in the sound image. During operation, the cleaning fluid is permanently clarified by a filter system and dirt particles are filtered out to minimise impurities in the fluid and thus achieve the best possible cleaning result. Our special cleaner treats the record antistatically and thus permanently prevents renewed contamination by adhering dust. Our washer is ready for use in just a few steps and the intuitive operation ensures optimal results from the very first record!
Lee Morgan – Infinity LP (Blue Note Tone Poet Series) – Blue Note Vinyl
Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down—but no less robust—quintet line-up to record his next session Infinity, which wouldn’t be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins—both of whom were featured on Cornbread—were at Morgan’s side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean’s engaging ballad “Portrait of Doll” cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of “Miss Nettie B,” the intricate interlaced lines of “Growing Pains,” and the hard-charging closer “Zip Code.”
Lee Morgan – Taru – Blue Note Tone Poet Series 180g Vinyl
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout. The session also marked Morgan’s first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins. The six-song set covered a range of stylistic ground including modal jazz (“Avotcja One”), hard-charging post-bop (“Get Yourself Together”), beautiful balladry (“Haeschen” and “Taru, What’s Wrong With You?”), gospel-tinged numbers (“Dee Lawd”), and funky boogaloos (“Durem”).
Lee Morgan – The Sidewinder (Blue Note Classic Series) – Blue Note Vinyl
Lee Morgan’s magnum opus The Sidewinder—recorded in 1963 and release in 1964—was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
