Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Described by AllMusic as the standard-bearer for post-alternative rock ‘n’ roll because of its ’90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas’s distinctive bravado.
Mccoy Tyner – Extensions – Blue Note (Tone Poet) 180g Vinyl
McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist’s fifth recording for Blue Note Records. After leaving John Coltrane’s band Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967. In the following years Tyner steadily expanded his musical scope: writing for a 9-piece ensemble on Tender Moments, exploring the textures of a piano-vibes led quartet with Bobby Hutcherson on Time for Tyner, and pushing at the boundaries of mainstream jazz on Expansions.
McCoy Tyner – Time For Tyner Lp (Blue Note Tone Poet Series) – Blue Note Vinyl
The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For his 3rd Blue Note date Time For Tyner, recorded in 1968, the pianist went a different direction by assembling a hornless quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson’s first recorded encounter came on the vibraphonist’s 1966 Blue Note album Stick-Up, and here their musical comradery deepened even further.
Michael Jackson – Off the Wall – UD1S 180g 45RPM Mofi SuperVinyl LP Box Set
IN STOCK NOW
Michael Jackson’s Reign As The King Of Pop Starts Here: Riaa-Certified Nine-Times-Platinum Off The Wall Blends Funk, Disco, Soul And R&B In Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” And “Rock With You”
1979 Landmark Presented in Audiophile Sound for the First Time: Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP Box Set Explodes with Energy, Plays with Superb Clarity and Detail
1/4″ / 30 IPS analog master to DSD 256 to analog console to lathe
MILES DAVIS – E.S.P. – MOFI 2 x 180g, 45RPM VINYL
Splits Divide Between Accessible Hard-Bop And Cutting-Edge Improvisation: A Paragon Of Cohesion, Chemistry, Interplay 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Miles Davis – Filles de Kilimanjaro 180g 45RPM 2LP Mofi Vinyl
Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.
Miles Davis Black Beauty: Miles Davis At Fillmore West – 180g 33RPM 2LP Mofi Vinyl
Miles Davis – Black Beauty: Miles Davis at Fillmore West is an extraordinary live recording capturing the innovative genius of Miles Davis at the iconic Fillmore West venue. Recorded with pristine clarity, this release showcases electrifying performances of timeless jazz classics that highlight Davis’s masterful trumpet work and his ensemble’s seamless interplay. Pressed on high-quality vinyl, this album delivers a rich, immersive listening experience with warm, dynamic sound. A must-have for dedicated jazz aficionados and vinyl collectors, it stands as a timeless testament to Miles Davis’s live brilliance.
Oasis – Definitely Maybe – 30th Anniversary Vinyl LP
New 30th anniversary formats released to celebrate this landmark date include a Limited Edition deluxe 4LP and 2CD featuring including the previously unreleased and discarded original recording session from Monnow Valley along with outtakes from Sawmills Studios plus a demo of Sad Song featuring Liam’s vocal – all recently mixed for this release by Noel Gallagher and Callum Marinho. LP formats also include a retail exclusive coloured vinyl format – Digsy’s Dinner inspired “Strawberries and cream” pink and white marble 2LP.
All versions feature brand new artwork by the original art designer Brian Cannon for Microdot and original sleeve photographer Michael Spencer Jones, plus new sleeve notes.
Oscar Peterson Trio – Live At Concertgebouw 1961 – The Lost Recordings 2LP 180g Vinyl
It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.
