Doug Watkins – Watkins At Large- Blue Note Tone Poet Series 180g Vinyl
Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Watkins At Largewas the first of only two albums that the great bassist Doug Watkins would make as a leader. The Detroit native had moved to New York and begun to garner recognition for his contributions to the Art Blakey-Horace Silver co-led iteration of the Jazz Messengers as well as Bud Powell's trio when Wilson decided to give him the opportunity to front his own recording date.
Along with a first-rate ensemble featuring trumpeter Donald Byrd, tenor saxophonist Hank Mobley, guitarist Kenny Burrell, pianist Duke Jordan, and drummer Art Taylor, Watkins swings through a stellar set of blues, ballads, and more including originals written by Jordan, Burrell, and Thad Jones.
Kenny Burrell and Jackie McLean – Inta Somethin’ – Blue Note Tone Poet 180g Vinyl
Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he solidified his reputation as a leading trumpeter and composer on the jazz scene. He began 1961 in the studio for Blue Note recording his excellent album Whistle Stop and later that year cut his first date for Pacific Jazz, Inta Somethin', a spirited live recording that captured Dorham leading a quintet with alto saxophonist Jackie McLean, pianist Walter Bishop Jr., bassist Leroy Vinnegar, and drummer Art Taylor at The Jazz Workshop in San Francisco.
The band is firing on all cylinders throughout this set of four standards bookended by the Dorham originals "Us" and "San Francisco Beat." A buoyant version of "It Could Happen To You" is performed quartet as a Dorham showcase, while the trumpeter lays out on "Let's Face The Music And Dance" and "Lover Man" to give the spotlight to McLean.
Kenny Burrell – Guitar Forms – Acoustic Sounds Verve 180g Vinyl Gatefold Sleeve
1966 Grammy nominee for Best Instrumental Jazz Performance — Large Group or Soloist with Large Group, and Best Album Cover — Photography.
A cornerstone of any jazz library. Kenny Burrell's concept for this album was to demonstrate a variety of jazz guitar styles. And he does so, masterfully. Of particular interest "Moon and Sand" by Burrell and the Gil Evans Orchestra showcases an engaging guitar performance with a Latin combo.
The Beach Boys – Surfin’ Safari (Mono) – Analogue Productions Hybrid SACD
The ultimate pressings of the Beach Boys discography from Analogue Productions! Original mono mix created in 1962 under Brian Wilson's supervision Audio production — Mark Linett For Brother Records — Elliott Lott Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available Hybrid Mono SACD (Note: Surfin' Safari is HYBRID MONO ONLY) plays in both CD and SACD players, as well as all SACD-compatible DVD players
"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds
Carlos Santana and Mahavishnu John McLaughlin – Love Devotion Surrender 180g 33RPM Mofi Vinyl LP
IN STOCK
1973 Meeting Of Santana And John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender Is Inspired By John Coltrane And A Quest For Enlightenment
Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity’s Numbered-Edition 180g LP
1/4″ / 15 IPS analog master to DSD 64 to analog console to lathe
Classic Turntable Company Garrard 301
Townshend Rock Turntable With Excalibur Tonearm
