Showing 109–120 of 152 results

Ravi Shankar – Shankar Family & Friends – 180g 33RPM Mofi Vinyl

£45.00
A Lost Classic: Ravi Shankar And George Harrison’s Shankar Family & Friends Weds Eastern And Western Music
Sourced From The Original Master Tapes And Limited To 3,000 Numbered Copies: Mobile Fidelity’s 180G Vinyl Lp Of 1974 Album Features Remarkable Airiness And Aura
1/4″ / 15 IPS analog master to DSD 256 to analog console to lathe

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£70.00
Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD

£39.95
Ray Charles' self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the record, its raison d'etre.

Reed – Muse 3C Turntable

£14,995.00
1 Only – Cancelled Order. New – Sealed Box . Arm available extra. Please contact us for shipping quote if outside the UK
After more than three years idea-crunching and countless man hours of CAD ing, prototyping, programming and real-life testing, we built our first commercially available turntable – Reed Muse 3C. Is it somehow unique? Well, yes! Whether you are fan of friction-driven turntables (the famous Garrard is made that way), or if you think that the right way to build turntables is to use a pair of motors and a belt, Reed Muse 3C should catch your eye.
Thanks to its unique and innovative design, you can convert friction-driven turntable to a belt-driven machine in 5 minutes.

Reed Muse 3C Turntable With 3P Tone Arm

£12,500.00
1 Only – Ex Demonstration
In good condition with original box.
Will be shipped on a pallet within the UK only.
Thanks to its unique and innovative design, you can convert friction-driven turntable to a belt-driven machine in 5 minutes.

Richard Wagner – Lohengrin 5 LPs, 180g Profil Edition Vinyl

£200.00
SEMYON BYCHKOV
Presented by THORENS® and PROFIL Edition Günter Hänssler. First time on Vinyl!
5 LPs, 180 g premium vinyl Best opera recording: BBC Award 2010 Classics today 10/10 rating

Robert Glasper – In My Element – Blue Note Classic Vinyl Series 180g 2LP Vinyl

£29.95
Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.
This 2-LP Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.

Run DMC – King of Rock – Mofi 180g SuperVinyl LP

£65.00
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.

Run DMC – Raising Hell – Limited Edition Mobile Fidelity 180g Supervinyl

£65.00
NOW AVAILABLE - LIMITED EDITION 180g SUPERVINYL
Among the Most Influential, Inventive, Invigorating Records Ever Released: Run-D.M.C.'s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash "Walk This Way"

Ry Cooder – Buena Vista Social Club – Analogue Productions 180 Gram 4 LP Vinyl

£145.00
LIMITED STOCK NOW AVAILABLE
Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.  

Salvatore Accardo I Violini Di Cremona XRCD24

£30.00
Directly Recorded to Half Inch Analog Tape & Mastered Using K2 Technology!
Master violinist Salvatore Accardo is accompanied by pianist Laura Manzini for this recording of compositional works by Chopin, Korsakov, Schubert, Brahms and more! These selections have been chosen to honor Fritz Kreisler.

Santana – Blues for Salvador – Mofi 180g 33RPM Vinyl LP

£55.00
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.