Miles Davis – Birth Of The Blue – Analogue Productions Hybrid Stereo SACD
Miles Davis’s Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!
Ben Webster – See You at the Fair (Verve Acoustic Sounds) 180g Vinyl LP Gatefold Sleeve
Ben Webster’s final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster’s tone has rarely sounded more beautiful than on “Someone to Watch Over Me” and “Our Love Is Here to Stay.”
Bud Shank – Barefoot Adventure – Impex Records 180g Vinyl LP
Jazz Vocal Collection 2 XRCD24
Second Collection Of Audiophile Female Vocals On XRCD24!
This 12-song collection features audiophile female vocals by Jenny Evans, Andrea Zonn, Leslie Tucker, Anne Bisson, Yamina and Dave’s True Story. Selections include “Sunshine Of Your Love, “Englishman In New York”, “Icarus”, “Wild Is The Wind” and more.
The sound source used for mastering is original digital master. Mastering uses JVC 24bit / 176.4kHz AD and digital k2. Converted directly at the manufacturing plant and finally K2 laser cutting.
David Crosby – If I Could Only Remember My Name – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl
“Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I’ll probably not play my original again since it isn’t in quite as nice condition. In fact, I’m not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer.” — Mark Smotroff, Audiophile Review, May 17, 2021.
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
Harry Nilsson – Son of Schmilsson – MoFi Numbered Ltd Edition 180g 45rpm Vinyl 2LP
Pink Floyd – The Dark Side Of The Moon – Analogue Productions Hybrid Multichannel SACD
Now In Stock
This is a big one! This is likely to go out of print VERY quickly, much like ‘Wish You Were Here’, so please order wisely and get your orders in before it’s too late.
A multitrack masterpiece. Mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd Producer/Engineer James Guthrie
Rolling Stone 500 Greatest Albums List — Rated 43/500
Another classic Pink Floyd title receives the multichannel reissue treatment and Acoustic Sounds and Analogue Productions is once again proud to handle exclusive distribution of this monumental SACD. How lucky we all are to hear this legendary studio recording realize its full potential. The SACD also of course includes a stunning stereo mix. And as this is a hybrid disc, the album is of course also playable on a standard CD player.
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
