Miles Davis In Person: Friday And Saturday Nights At The Blackhawk – Impex 2LP, 180G, 33RPM Vinyl
Miles Davis You’re Under Arrest – Crystal Clear Vinyl
Milt Jackson : Sunflower – Pure Pleasure Records 180g Vinyl
Recorded over two days in December of 1972 at Rudy Van Gelder’s Englewood, New Jersey home studio, vibraphonist Milt Jackson’s Sunflower is the first and best of his three albums for Creed Taylor’s CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well.
Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.
Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.
Muddy Waters – Folk Singer – Analogue Productions 180g 33rpm Vinyl
Nagra 70th Year Anniversary Audiophile Collection Album
Nat King Cole – After Midnight – Pure Pleasure Records 180g 2LP Gatefold Sleeve Vinyl LP
Nat ‘King’ Cole’s music is the perfect combination of romantic charm and musical invention.
Cole is renowned for his big production numbers and pop hits such as ‘Stardust,’ but he was also an accomplished and unique jazz pianist and excelled in a small-group setting.
After Midnight’s album cover states that this is a ‘trio’ release.
Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter’s voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.
New York Dolls – New York Dolls – 180g 45RPM Mofi Vinyl 2 LP
Landmark Debut Established Punk and Glam Foundations: New York Dolls Explodes with Raucous, Swaggering Rock ‘n’ Roll, Includes “Personality Crisis” and “Trash”
Hear the 1973 Record Rolling Stone Named the 301st Greatest Album of All Time in Audiophile Sound for the First Time: Mobile Fidelity’s 180g 45RPM 2LP Set Reveals Brilliance of Todd Rundgren’s Production
1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Norah Jones – Come Away With Me – Gatefold Vinyl Record
Norah Jones – Come Away With Me Vinyl LP: Intimate, Elegant, and Pressed for Analogue Purity
Released in 2002 on Blue Note, Come Away With Me introduced Norah Jones as a genre‑blurring force—merging jazz sensibility with folk, soul, and pop influences. The album features standout tracks such as Don’t Know Why, Cold, Cold Heart, and the title track Come Away With Me.
This vinyl pressing brings out the subtleties of the production—warm mid‑tones, transparent vocals, and a lush acoustic soundstage—ideal for high‑fidelity listening. The combination of Norah’s expressive voice, intimate piano work and layered instrumentation creates an immersive experience that rewards close listening.
For anyone seeking an album that blends musical elegance with sonic refinement, this pressing of Come Away With Me is a must‑have—timeless in both content and delivery.
Norah Jones – Feels Like Home – Analogue Productions Hybrid SACD
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
“I think we’ve gotten something quite a bit better than wh
Mastered by Kevin Gray at Cohearent Audio from the original source recordings!
Part of Analogue Productions’ reissue of the Norah Jones’ solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album is featured in exclusive LP and SACD box sets that include Norah’s Covers album!
2005 Grammy Awards:
Best Female Pop Vocal Performance
“Sunrise”
This product is a Hybrid SACD designed to play in both CD and SACD players, as well as all SACD-compatible DVD players.
at was originally issued,” Marino says. “I think this version is much more representative of what was on the tape. And that’s not a criticism of what was originally done.” – George Marino
