John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.
John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.
John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.
John Coltrane – Coltrane Jazz VINYL LP STEREO ATLANTIC
“Coltrane Jazz” is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue number SD 1354. The song “Village Blues” is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis (who would within 18 months have been replaced by first Reggie Workman and then Jimmy Garrison who would stay with ‘Trane until his death).
John Coltrane – Coltrane Plays The Blues 180g 45RPM Vinyl
Only 2500 Numbered Limited Edition Copies Worldwide!
Extremely limited double 180gm pressing in numbered laminated gatefold jacket.
Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove.
John Coltrane returned to his roots using the blues to explore the boundaries of jazz!
John Coltrane – Coltrane’s Sound – ORG Records 180g 45RPM 2LP Vinyl
180-gram double LP 45 RPM reissue
Mastered by Bernie Grundman from the original analog tapes
Recorded during the same session as My Favorite Things in 1960
“One of the most highly underrated entries in Coltrane’s voluminous catalog … these recordings remain among Trane’s finest.” — AllMusic
This classic recording finally receives our audiophile treatment with this 180-gram double LP 45 RPM reissue, mastered from original tapes by Bernie Grundman and pressed at Pallas in Germany.
John Coltrane – Crescent Acoustic Sounds Series – 180g Impulse Vinyl
Crescent is widely regarded as one of John Coltrane’s finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964, John Coltrane spent the least amount of time in the recording studio of his entire career as a leader. It wasn’t until April 27th that he, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder’s Englewood Cliffs studio to record all the tracks that appear on Crescent. In a hint of things to come for the Classic Quartet, both Garrison and Jones are featured on extended solos on the album’s second side.
John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
John Prine – John Prine – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.
Johnny Cash – At Folsom Prison – 180g 45RPM 2LP Mofi Vinyl
IN STOCK NOW!!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System: Mobile Fidelity Numbered-Edition 180g 45RPM 2LP Set Plays with Arresting Immediacy, Spaciousness, and Directness
1/4″ / 15 IPS analog copy to DSD 256 to analog console to lathe
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
