Jefferson Airplane – Volunteers 180g 45RPM 2 LP MOFI Vinyl
Seminal 1969 Album Steeped in Revolution, Vitality, Protest: The Aural Equivalent of a Demonstration March
Awash in controversy and loaded with revolutionary protest, Jefferson Airplane’s Volunteers stands as the last album made by the group’s classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16-track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended.Jesse Sharps – Sharps and Flats
Jethro Tull – Aqualung – Analogue Productions SACD
					Analogue Productions presents another classic title on Hybrid Stereo SACD — Jethro Tull's multi-platinum-selling smash Aqualung. Originally released in March 1971, the album has sold in excess of 7 million copies worldwide, achieving Top Ten chart status in both the U.K. and U.S.. Aqualung's success signaled a turning point in the band's career, making Jethro Tull a major radio and touring act.				
				
			Jimmy Smith – The Cat (Verve Acoustic Sounds) 180g Vinyl Record
					The Cat is jazz organist Jimmy Smith’s 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.				
				
			Joan Baez – Diamonds & Rust – Analogue Productions 180g 45RPM 2LP
Joe Jackson – Summer in the City – Intervention Records 180g 2LP Vinyl
Experience the vibrant energy of Joe Jackson's Summer in the City like never before with the Intervention Records 180g 2LP Vinyl.
This meticulously remastered edition delivers unparalleled sound quality, bringing out the richness of every note.
The double LP format ensures an expansive and immersive listening experience, perfect for both long-time fans and new listeners.
Don't miss the chance to own this audiophile-grade release, a must-have for any serious vinyl collector.
Joe Lovano – Trio Fascination: Edition One – Tone Poet Vinyl Series
On his remarkable 1997 album Trio Fascination: Edition One saxophonist Joe Lovano joined forces with two all-time legends—bassist Dave Holland and drummer Elvin Jones—in a spare trio setting that finds these three masters conversing freely. This stereo Tone Poet Vinyl Edition marks the album’s first-ever release on vinyl and was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) 180g Vinyl
					The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb
AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.				
				
			
	
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		