CHASING THE DRAGON – ESPANA – DIRECT CUT VINYL
CHASING THE DRAGON – Quentin Collins All Star Quintet – A Day in the Life – 180g Vinyl
Part Of The Direct Cut Recording Series On 180g Vinyl LP!
"Quentin Collins is a leading figure on the British jazz scene, comfortable with many styles but most often adopting the post-bop language of players like Lee Morgan and Freddie Hubbard. Collins performs with a wide range of musicians and appears regularly at London’s most prestigious jazz venues, including Ronnie Scott’s and Club 606. The artist plays carbon fiber daCarbo instruments, said to optimize vibration so less energy is wasted in the air column within the horn. " Absolute Sound
CHASING THE DRAGON – Beethoven Piano Sonatas: Moonlight & Pathetique 180g Direct Cut Vinyl LP
CHASING THE DRAGON II – Audiophile Recordings Vinyl LP
180 Gram Audiophile Demonstration & Test Disc! A treat to listen to, a great way to test and show off your system!
A selection of tracks which should take you and your Hi-Fi system on an interesting journey.
This audiophile demonstration recording samples classical compositions by Vivaldi, J.S. Bach and Corelli, alongside a drum solo improvisation, a choir performance, microphone comparison of male voice recording, rehearsals, and more.
Muddy Waters – Folk Singer – Analogue Productions 180g 33rpm Vinyl
Harry Nilsson – Son of Schmilsson – MoFi Numbered Ltd Edition 180g 45rpm Vinyl 2LP
Blood, Sweat and Tears – Blood, Sweat and Tears – Mofi Ultradisc 180g 45RPM 2LP Box Set
IN STOCK
Very Limited Availability
Don’t call it a comeback. Not only did Blood, Sweat & Tears’ eponymous album establish new precedents for musical fusion and record production upon release in late 1968, the quadruple-platinum set marked a new commercial beginning for a cross-cultural group nearly decimated months earlier when its prominent co-founder, Al Kooper, departed along with two other members. The resultant sophomore effort simply went on to top the charts for seven straight weeks, earn the Grammy Award for Album of the Year, spawn three successive Top 5 singles, and land the group a headlining slot at Woodstock. No wonder its reputation remains golden among listeners, particularly audiophiles, which have never experienced the hybrid fare in more vibrant fashion than on this collectible reissue.
Yes – Close To The Edge- Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins
Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.
"It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings," Gray told music reviewer Michael Fremer.
Steely Dan – Gaucho 45 RPM 200G – Analogue Productions UHQR Vinyl
Now in stock
- Gaucho — Steely Dan's Grammy-winning seventh studio album now on UHQR!
- Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!
- 45 RPM LP release limited to 15,000 numbered copies
- Mastered directly from the original master tape by Bernie Grundman
- Pressed at Quality Record Pressings using 200-gram Clarity Vinyl®
- Purest possible pressing and most visually stunning presentation and packaging!
- Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
