Crosby, Stills, Nash and Young – Deja Vu (2021 Remaster) Atlantic 180g Vinyl
Crosby, Stills, Nash & Young's Déjà Vu was the most-anticipated new album in America in 1970. More than 50 years later, it's one of the most famous albums in rock history with legendary songs, including "Carry On," "Teach Your Children," "Our House" and "Woodstock" that still resonate today.
This groundbreaking album went on to be certified 7x platinum-selling in the U.S., platinum in France, and gold in Germany, Switzerland and the U.K.
Fritz Reiner – Richard Strauss: Also Sprach Zarathustra 180G Analogue Productions Vinyl
The legendary 1954 Fritz Reiner/Chicago Symphony Orchestra performance of a Strauss war horse. Recorded directly to 2-track analog by Jack Pfeiffer, the original session tapes were used in mastering for LPs and SACDS. Among the very first Living Stereo recordings ever made, these landmark performances document the start of the legendary partnership of Fritz Reiner and the Chicago Symphony Orchestra.
Bill Withers – Still Bill – 180g Mofi Vinyl
Now in stock
Mastered On Mobile Fidelity’s Renowned Mastering System And Pressed At Rti For Definitive Sound.
As it celebrates its 50th anniversary, Bill Withers’ Still Bill remains true to its title – and stands as the greatest male-fronted soul album not made by a singer named Marvin, Al, Sam, James, or Ray. Though the saying “keeping it real” did not exist in popular parlance when Withers released his sophomore effort on Sussex Records, no words better capture the music’s approach, mindset, and value. Every facet of Still Bill radiates honesty, truth, and emotion. These characteristics – along with Withers’ strong singing, hybrid arrangements, and deceptively simple songwriting – have allowed the album to endure to the point where it sounds as fresh today as in 1972.Louis Armstrong Meets Oscar Peterson Verve 180g Vinyl
Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio — bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums — these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.
Bill Evans and Jim Hall – Undercurrent Mobile Fidelity Vinyl
Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop
Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.Hall and Oates – H2O 180g Mofi Vinyl
1982 Multi-Platinum Smash Both Creatively Ambitious and Commercially Successful
Hall and Oates' biggest-selling album also stands as their most ambitious. Recorded in 1982, when the duo practically owned the pop market, H20 strikes a keen equilibrium between polish, melody, muscle, and craft. The vocalists expand the emotional reach of their songwriting, and shepherd meticulous production and measured arrangements toward thrilling intersections of blue-eyed soul, edge new wave, soft rock, and dance. Staked to two giant singles, the double-platinum affair lingers as the group's last masterwork.Shoji Yokouchi Trio Yuri Tashiro Greensleeves
This is the LA & OC Audio Society version released in an edition of 500 copies on red vinyl. Cover has unique sticker identifying limited edition.
Upon his death in 1996, many within the jazz community heaped fulsome praise on Shoji Yokouchi. To this day, he remains one of Japan's finest jazz guitarists; a dexterous and inventive guitarist capable of playing immaculate, blues-inspired solos on both electric and acoustic guitars. Proof of his skills is provided by this reissue of Greensleeves, an album he recorded in 1978 alongside his regular "Trio" and organist Yuri Tashiro. Musically, the album offers an attractive blend of jazz-funk, "trad" and fusion tracks laden with impeccable solos from both Yokouchi and Tashiro. The best combination of the two players' styles can be found on "Misty", a fine blend of undulating fairground organ flourishes and evocative Spanish guitar.
Jennifer Warnes – Famous Blue Raincoat 180g Impex Vinyl
Newly remastered by Bernie Grundman on his all-tube cutting system and personally supervised by Ms. Warnes, Famous Blue Raincoat is ready to be discovered by a new generation of vinyl enthusiasts seeking the purest musical alchemy, and vocal interpretation. Come see how far we’ll go for beauty.
Back in print, an exclusive 33-rpm all-analogue vinyl LP of her ground-breaking classic.
CHASING THE DRAGON II – Audiophile Recordings Vinyl LP
180 Gram Audiophile Demonstration & Test Disc! A treat to listen to, a great way to test and show off your system!
A selection of tracks which should take you and your Hi-Fi system on an interesting journey.
This audiophile demonstration recording samples classical compositions by Vivaldi, J.S. Bach and Corelli, alongside a drum solo improvisation, a choir performance, microphone comparison of male voice recording, rehearsals, and more.
CHASING THE DRAGON – Audiophile Recordings Vinyl LP
This audiophile demonstration album contains 13 tracks which were recorded with 50 year old Neumann valve microphones.
Many tracks use the “Decca tree” configuration, invented by engineers in the early 1950’s using 3 Neumann M50 microphones.
Some tracks were recorded with a 1/2″ Studer reel to reel recorder running at 30ips.