Showing 37–48 of 67 results

John Coltrane – Coltrane’s Sound – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
Available to Pre-Order
John Coltrane's brief but prodigious Atlantic Records period (1959-61) included the highly underrated Coltrane's Sound, recorded in 1960 and released in 1964. "The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style... Regardless of the lack of attention, these recordings remain among Trane's finest," writes AllMusic.

John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
In Stock
John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.

John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.

John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.

John Coltrane – Coltrane Jazz VINYL LP STEREO ATLANTIC

£69.95
“Coltrane Jazz” is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue number SD 1354. The song “Village Blues” is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis (who would within 18 months have been replaced by first Reggie Workman and then Jimmy Garrison who would stay with ‘Trane until his death).

Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl

£39.95
Winter remains pretty cool when people attempt to identify personal afflictions in his music: When I play blues, I feel good he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.

Les McCann & Eddie Harris – Swiss Movement – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
Imagine yourself in a smoky, vibrant jazz club in the 1960s. The album opens with Les McCann, a soulful and charismatic pianist and vocalist, playing the keys with infectious energy. He's accompanied by an equally talented group of musicians. McCann's music is deeply rooted in gospel, blues, and soul, and it shines through in his performance. His warm, expressive voice draws you in, making you feel like you're right there in the audience.

Lou Reed – Transformer – Speakers Corner 180g Vinyl

£35.00
‘Transformer’ is the second solo studio album by American artist Lou Reed, released in 1972. David Bowie offered Lou Reed some much needed help with his career, which was stuck in neutral after his first solo album came and went. The sound and style of ‘Transformer’ would in many ways define Reed’s career in the 1970s, and while it led him into a style that proved to be a dead end, you can’t deny that Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.

Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£55.00
IN STOCK
Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.
 

Miles Davis – Miles Smiles – Speakers Corner 180g Vinyl

£39.95
Except for the taping of a live performance at the Portland Festival, Miles Davis’s discography for 1966 only lists the recordings made for the LP “Miles Smiles”! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.

Miles Davis – Round About Midnight – Speakers Corner 180g Vinyl LP

£39.95
Few musicians have managed to change the course of music–trumpeter Miles Davis did it several times. An early disciple of Charlie Parker, Davis created an austere, understated approach that became the model for cool. His superb albums in the 1950s made him a star, and in the following decade, he brought small-group jazz to the limit before he unapologetically (and, for some, unforgivably) took on jazz-rock. After a break, he re-emerged in the ’80s with a mixture of pop and dense, bristling funk. All the while, his refusal to follow anyone but his own muse made him both a hero and an enigma–either way, he was one of the most magnetic, influential figures in American music.

Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.