The Best Of Evosound Audiophile – Chesky Records Transparent Green Vinyl LP
Discover the ultimate audiophile listening experience with The Best of Evosound Audiophile, now available on stunning transparent green 180g vinyl from Chesky Records. This meticulously curated compilation features world-class recordings, showcasing breathtaking vocal clarity, dynamic instrumentals, and an immersive soundstage. Pressed on audiophile-grade vinyl, this limited-edition release ensures superior warmth, depth, and precision, making it a perfect addition to any high-fidelity music collection. Whether you’re an audiophile, vinyl enthusiast, or hi-fi connoisseur, The Best of Evosound Audiophile is an essential showcase of Chesky Records’ legendary recording quality.
The Cars – Shake It Up 180g Mofi Vinyl
Numbered Edition 180-gram LP Sourced from Original Master Tapes
A return to form after the departure that was 1980's muddled Panorama, the Cars' Shake It Up bursts forth with a rich assembly of synthesizers, drum machines, electronic blips, and catchy melodies that make it an early 80s pop staple. Known the world over, the famous title track proves the band's arrangement skills were in perfect shape and set the stage for a record overflowing with memorable hooks and complementary rock riffs.
The Church “Starfish” Expanded Edition – Intervention Records 180g Vinyl
The Church’s Starfish is a dreamy, atmospheric masterpiece, guitar-driven alt-rock before alt-rock was a term. It includes the timeless smash hit “Under the Milky Way,” and “Reptile,” both First Wave staples. Intervention’s 2X 180-Gram LP, Artist-Approved Expanded Edition is 18-tracks total, including 8 amazing bonus tracks that were not on the original LP. These bonus tracks kick off with wonderful acoustic versions of “Under the Milky Way” and “Antenna.” The other tracks are so strong that it’s very apparent that Starfish could have been a potent double LP.
THE DOORS – STRANGE DAYS – 2LP
45RPM
200G Vinyl
ANALOGUE PRODUCTIONS
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors – Morrison Hotel – 180g 45RPM Analogue Productions Vinyl
Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded.”
- Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
- Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
- Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors – The Doors – Analogue Productions – 2 x 180g 45RPM Vinyl
Please note: The Doors was a 4-track recording. As such, the surround portion of this multichannel mix is intended to be room ambiance. Please also note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies.
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been “corrected” versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction.
The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl
A 2014 Stereophile ‘Record To Die For’
Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.
The Fabulous Fats Navarro Vol. 1 Tone Poet Classic Vinyl Series
The prodigiously talented trumpeter Fats Navarro was a bebop innovator whose career was cut tragically short when he died in 1950 at age 26. As part of the 1500 series Blue Note later compiled this 12” LP with selections from various dates Fats had featured on from 1947–49 with the Tadd Dameron Sextet, Bud Powell Quintet, and the McGhee-Navarro Boptet.
This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.
The Gil Evans Orchestra – Out Of The Cool 180g – Acoustic Sounds Verve Re-Issue
“The album is worth getting for the 15 minutes of ‘La Nevada’ alone but the rest is equally great including the cinematic side closer ‘Where Flamingoes Fly.’ … The sonics here with a cut from the master tape by Ryan K. Smith (yes, the master tape- I have a current photo that for some reason I can’t share with you) are incredibly transparent, spacious and flat-out thrilling … and somewhat brighter and less mid-band rich than the long out of print Alto-Analogue edition Bernie Grundman cut in 1997. Both are worth having for different sonic reasons and if you have a clean original Rudy Van Gelder cut (A-4) you may think you are set, but that cut is less spacious, somewhat dynamically compressed, has the RVG lower bass roll-off and is definitely less transparent — not that it’s bad and some people do like the more ‘in your face’ excitement. This one’s here now though! Do not miss it!” — Music = 10/11; Sound = 10/11 – Michael Fremer, AnalogPlanet.com.
The Groundhogs – Scratching The Surface – Pure Pleasure Records 180G Vinyl
The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy.
Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past.
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
