Grant Green – The Latin Bit (Tone Poet Series) Blue Note 180G Vinyl
Guitarist Grant Green explored Latin & Brazilian influences on his highly enjoyable 1962 album The Latin Bit featuring Johnny Acea on piano, Wendell Marshall on bass, Willie Bobo on drums, Carlos "Patato" Valdes on conga, and Garvin Masseaux on chekere. Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tapes, 180g audiophile vinyl reissues in deluxe packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
Hank Mobley – A Caddy for Daddy – (Blue Note Tone Poet) – Blue Note 180g Vinyl
Hank Mobley – A Slice of the Top (Blue Note Tone Poet Series) Blue Note 180G Vinyl
Tenor saxophonist Hank Mobley had already been building a formidable Blue Note catalog for more than a decade when he conceived of his unique album A Slice of the Top, which was recorded in 1966 but not first released until 1979 as part of the LT Series.
Inspired by Miles Davis’ Birth of the Cool, Mobley collaborated with Duke Pearson who arranged four Mobley originals and the pop standard “There’s a Lull In My Life” for an octet that added Kiane Zawadi’s euphonium and Howard Johnson’s tuba to a group consisting of James Spaulding on alto saxophone and flute, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.
Behold Mobley’s lyrical flights on standout tunes including “Hank’s Other Bag,” “A Touch of Blue,” and “A Slice of the Top.”
Hank Mobley – Soul Station Blue Note 180G Vinyl
Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder's studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's 'Remember' through bluesy originals like 'Dig Dis' and the title track, and the swinging up-tempo numbers 'This I Dig of You' and 'Split Feelin's.' Soul Station endures as a jazz classic for the ages..
Herbie Hancock – Empyrean Isles: Blue Note Classic 180g Vinyl
Blue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany
The Classic Vinyl Reissue Series is the continuation of Blue Note’s acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes.
Herbie Nichols – The Prophetic Herbie Nichols Vol. 1 & 2 Blue Note Re-Issue Vinyl
Blue Note Classic Vinyl Edition on 180-gram LP
Art Blakey’s 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons’ enduring hit “Dat Dere.” Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal in Germany.
Herbie Nichols Trio – Herbie Nichols Trio (Mono) – Blue Note (Tone Poet) 180g Vinyl
Herbie Nichols was one of the most original pianists and composers in jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols' incredibly hip, angular compositions, each of which were miniature marvels built with their own sturdy inner logic.
Horace Parlan – Speakin’ My Piece (Classic Vinyl Series) Blue Note Vinyl
Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
