Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.
Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Otis Redding – Otis Blue- Otis Redding Sings Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
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The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay."
Otis Redding – The Soul Album – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Otis Redding's fourth studio album, released in 1966, features Redding performing songs that he co-wrote, as well as covers of songs by such peers as Sam Cooke, Eddie Floyd, Roy Head and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album, and is also credited as the co-author of three tracks.
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles' self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the record, its raison d'etre.
Ray Charles – The Genius After Hours (Mono)– Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Ray Charles – The Genius Of Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Ray Charles – The Great Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Ray Charles – The Great Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Roberta Flack – Killing Me Softly – Analogue Productions (Atlantic 75 Series) 180g Vinyl
"Killing Me Softly" is a classic Roberta Flack album reissued as part of the Atlantic 75 series. This reissue, from Analogue Productions, is available on 180g 45rpm 2LP. The album, originally released in 1973, features the iconic title track and other hits, showcasing Flack's unique "smooth, soft-spoken, slow-burning soul style". It's part of a series celebrating Atlantic Records' 75th anniversary, featuring high-quality audiophile pressings.
