Peter Frampton Frampton@50: In the Studio 1972-1975 Numbered Limited Edition 180g 3LP Box Set
Peter, Paul & Mary – Album 1700 – Analogue Productions 180g 45 RPM Vinyl
This is a phenomenal reissue of a significant album for the famed folk rock trio. Album 1700, released in 1967, yielded the group's final hit single (and only No. 1), "Leaving on a Jet Plane." It also yielded graceful folk-rock trappings for their repertoire of originals and covers by, among others, Bob Dylan and Eric Anderson, writes David Wolf for Amazon.com.
Pink Floyd – The Dark Side Of The Moon – Analogue Productions Hybrid Multichannel SACD
Now In Stock
This is a big one! This is likely to go out of print VERY quickly, much like ‘Wish You Were Here’, so please order wisely and get your orders in before it’s too late.
A multitrack masterpiece. Mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd Producer/Engineer James Guthrie
Rolling Stone 500 Greatest Albums List — Rated 43/500
Another classic Pink Floyd title receives the multichannel reissue treatment and Acoustic Sounds and Analogue Productions is once again proud to handle exclusive distribution of this monumental SACD. How lucky we all are to hear this legendary studio recording realize its full potential. The SACD also of course includes a stunning stereo mix. And as this is a hybrid disc, the album is of course also playable on a standard CD player.
Run DMC – King of Rock – Mofi 180g SuperVinyl LP
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.Run DMC – King of Rock – Mofi SACD
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: HYBRID SACD PLAYS WITH VISCERAL IMMEDIACY
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.’S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity’s 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.’s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.