The Doors – Morrison Hotel – 180g 45RPM Analogue Productions Vinyl
Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded.”
- Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
- Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
- Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors – The Doors – Analogue Productions – 2 x 180g 45RPM Vinyl
Please note: The Doors was a 4-track recording. As such, the surround portion of this multichannel mix is intended to be room ambiance. Please also note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies.
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been “corrected” versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction.
The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl
A 2014 Stereophile ‘Record To Die For’
Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.
The Duke Jordan Trio So Nice Duke XRCD24
Superior Audiophile Sound on XRCD24!
Jazz pianist Duke Jordan is joined here by Jesper Lundgaard on bass and Aage Tanggaard on drums for a session recorded live at Nagaya on June 14, 1982. Jordan was born in New York and raised in Brooklyn. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker’s so-called “classic quintet” (194748), featuring Miles Davis. He participated in Parker’s Dial sessions in late 1947 that produced “Dewey Square,” “Bongo Bop,” “Bird of Paradise,” and the ballad “Embraceable You.” These performances are featured on Charlie Parker on Dial.
The Fabulous Fats Navarro Vol. 1 Tone Poet Classic Vinyl Series
The prodigiously talented trumpeter Fats Navarro was a bebop innovator whose career was cut tragically short when he died in 1950 at age 26. As part of the 1500 series Blue Note later compiled this 12” LP with selections from various dates Fats had featured on from 1947–49 with the Tadd Dameron Sextet, Bud Powell Quintet, and the McGhee-Navarro Boptet.
This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.
The Groundhogs – Scratching The Surface – Pure Pleasure Records 180G Vinyl
The Groundhogs' debut album is a long way from the "classic" sound of the better-known Thank Christ for the Bomb/Split/Who Will Save the World? trilogy.
Indeed, the mellow classic blues through which the band pursues its nine tracks offer the unsuspecting listener little more than a direct blast from the peak of the British blues boom past.
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.
Originally released in 1962
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
The Spinners – Spinners 180g Mofi Vinyl
Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell's Melodic Arrangements: Few Albums Sound Creamier Than This Watershed Effort
The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band's first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic – a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell's flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.
The Syd Lawrence Orchestra – Big Band Spectacular
The Thelonious Monk Quartet – Straight No Chaser 180g Audiophile Vinyl
180-GRAM 33RPM 2LP SET
This mid-period masterwork from jazz piano’s most uncommon voice find Monk and his quartet ( Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk’s more idiosyncratic side-tracks (check out the solo on “Locomotive” or the restless exposition on “Japanese Folk Song”) while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.
