Lincolnshire Posy – Reference Recordings HDCD
Dallas Wind Symphony Jerry Junkin
Showcases the wind band music of Percy Grainger, including favorites Lincolnshire Posy and Irish Tune from County Derry (“Danny Boy”). Australia considers Grainger its greatest composer; the U.S., where he lived most of his life, praises him as a music educator, composer and arranger of band music; and England considers him supremely important in the preservation and arrangement of British folk songs.
Lou Donaldson – Midnight Creeper Blue Note Tone Poet Series 180g Vinyl
Alto saxophonist Lou Donaldson hadn’t recorded for Blue Note since 1963 when he returned to the label in 1967 and began a new chapter in his lengthy career. Sweet Papa Lou had helped lay Blue Note’s soul jazz foundation alongside Hammond B3 organists including Jimmy Smith, Baby Face Willette, and Big John Patton going back to the late-1950s thru the early-60s on standout dates including his own Here ‘Tis, Good Gracious!, and The Natural Soul.
Lou Reed – Berlin -Mofi SACD
An Intense Journey Into Toxic Relationships Balanced With Gorgeous Arrangements And Dark Humor: Lou Reed’s Conceptual Berlin Features A-List Cast And Bob Ezrin Production
Sourced from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity’s Hybrid SACD Presents the Singer-Songwriter’s 1973 Album in Audiophile Quality
Like the records he made with his first band, Berlin finds Lou Reed decades ahead of the times.Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.Lou Reed – Transformer – Speakers Corner 180g Vinyl
‘Transformer’ is the second solo studio album by American artist Lou Reed, released in 1972. David Bowie offered Lou Reed some much needed help with his career, which was stuck in neutral after his first solo album came and went. The sound and style of ‘Transformer’ would in many ways define Reed’s career in the 1970s, and while it led him into a style that proved to be a dead end, you can’t deny that Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.
Louis Armstrong Meets Oscar Peterson Verve 180g Vinyl
Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio — bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums — these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.
LOVE – FOREVER CHANGES – MOFI 2 x 180g VINYL
Lowell Graham & National Symphonic Winds – Center Stage – Analogue Productions Vinyl
From Wilson Audiophile Recordings comes Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.
These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.
Lynyrd Skynyrd – Gimme Back My Bullets 180g 45RPM Analogue Productions Vinyl
Lynyrd Skynyrd – Nuthin’ Fancy – Analogue Productions 2 x 180g Vinyl
The title may say Nuthin’ Fancy but don’t be deceived! This 180-gram stunner pressed at Quality Record Pressings is nearly peerless as a Southern rock record.
Expertly remastered by Kevin Gray, lacquer plating by master technician Gary Salstrom, heavy cardboard gatefold jacket with vibrantly reproduced original artwork. How does it get any better? As the Ultimate-Guitar.com put it: “Most hard rock bands would give their left arm for a record that swaggers and hits as hard as Nuthin’ Fancy.”