Jazz Vocal Collection XRCD24
Audiophile Female Vocals On XRCD24!
This 12-song collection features audiophile female vocals by Helen Merrill, Amanda McBroom, Halie Loren, Jean Frye Sidwell, Shigeko Toya, and Reyna Qotrunnada. Selections include “The Very Thought of You”, “Summertime”, “A Whiter Shade of Pale”, “You’d Be So Nice To Come Home To” and more. The sound source used for mastering is original analog and 24bit digital master. Mastering uses JVC 24bit / 176.4kHz AD and digital K2. Converted directly at the manufacturing plant and finally K2 laser cutting.Jean Frye Sidwell Portrait Vol. 1 XRCD24
Jean Frye Sidwell Portrait Vol. 2 XRCD24
Experience Jean Frye Sidwell’s rich contralto voice and smooth, soulful phrasing to the fullest on XRCD24!
With her rich contralto voice and smooth, soulful phrasing, Jean is truly a jazz singer’s jazz singer. The consummate performer, she beams with honesty and passion, delivering silky nuances and vocal shadings that devastate even the most sophisticated music lovers. A native of Southern California, Jean has appeared in hundreds of venues mostly in the Los Angeles and Orange County areas, and on numerous recording projects as featured vocalist. Her professional singing career has spanned 25 years and has included Jazz, Folk, Pop and Rhythm & Blues styles
Jean Frye Sidwell Portrait Vol. 3 XRCD24
Experience Jean Frye Sidwell’s rich contralto voice and smooth, soulful phrasing to the fullest on XRCD24!
With her rich contralto voice and smooth, soulful phrasing, Jean is truly a jazz singer’s jazz singer. The consummate performer, she beams with honesty and passion, delivering silky nuances and vocal shadings that devastate even the most sophisticated music lovers. A native of Southern California, Jean has appeared in hundreds of venues mostly in the Los Angeles and Orange County areas, and on numerous recording projects as featured vocalist. Her professional singing career has spanned 25 years and has included Jazz, Folk, Pop and Rhythm & Blues styles.Jesse Sharps – Sharps and Flats
Jimmy Smith – The Cat (Verve Acoustic Sounds) 180g Vinyl Record
The Cat is jazz organist Jimmy Smith’s 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Joan Baez – Diamonds & Rust – Analogue Productions 180g 45RPM 2LP
Joe Lovano – Trio Fascination: Edition One – Tone Poet Vinyl Series
On his remarkable 1997 album Trio Fascination: Edition One saxophonist Joe Lovano joined forces with two all-time legends—bassist Dave Holland and drummer Elvin Jones—in a spare trio setting that finds these three masters conversing freely. This stereo Tone Poet Vinyl Edition marks the album’s first-ever release on vinyl and was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) 180g Vinyl
The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb
AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.