Diana Krall – All For You – Acoustic Sounds Series 180g 2LP Gatefold Sleeve
The two-time 1996 Grammy-winning album All For You is a tribute to the Nat King Cole Trio by a woman who is better equipped than any other jazz musician of her generation to evoke the spirit of Nat Cole.
Diana Krall, who listened eagerly to Cole's records as a child, grew up to be that rarest of birds: a singer-pianist as comfortable and distinctive in one role as the other.
Release Date: 27.09.24
Diana Krall – When I Look Into Your Eyes (Verve Records – Acoustic Sounds Series ) 180g 2LP Gatefold Sleeve
Krall’s fifth studio album made a mark as the first jazz album in 25 years to garner a Grammy nomination for Album of the Year.
Tommy LiPuma elevates Krall’s sound along the lines of Nat King Cole with an orchestral stamp on eight out of 12 tracks.
It doesn’t take strings, though, to showcase Diana Krall as a hopeless romantic. She does that well enough on her own.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders.
Dizzy Reece – Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece’s Blue Note debut Blues In Trinity.
Donald Byrd & Bobby Jaspar – Cannes ’58 – Sam Records 180g Vinyl
Dream With Dean – The Intimate Dean Martin – Analogue Productions 45RPM Vinyl
Duke Ellington – Berlin Jazz Festival 1969-73 – The Lost Recordings 180g Vinyl
On November 8, 1969, on the stage of the great hall of the Berlin Philharmonic, the Duke, whose portrait is the poster of the Jazztage Festival which celebrates his 70th birthday, slowly joined his piano. His orchestra is at the orders, adorned with a gleaming section of which some have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. The legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.
Duke Ellington – Duke’s Big 4 – Analogue Productions 180g Vinyl LP
An outstanding Pablo pressing (A++ sound) featuring jazz piano legend Duke Ellington at the helm of a small group session with Joe Pass on guitar, Ray Brown on bass, and Louie Bellson on drums, recorded in January 1973 and released in 1974. Considered a timeless classic, Duke’s Big 4 is described by AllMusic as “One of Duke Ellington’s finest small group sessions from his final decade … Ellington’s percussive style always sounded modern and here he comes up with consistently strong solos. … Highly recommended.”
Duke Ellington – Ellington Indigos – Impex Records Numbered Limited Edition 180g 45rpm 2LP (Indigo Purple Vinyl)
Now in stock
65th Anniversary Edition 180g Double LP! First Time on AAA 45rpm Vinyl! Mastered by Chris Bellman & Pressed at RTI! Includes 4 All-Analog Mono Bonus Tracks on Vinyl for the First Time!
Special Los Angeles and Orange County Audiophile Society Edition Indigo Purple Vinyl Strictly Limited to 1,000 Numbered Pressings!
Very, Very Short Supply, Demand Will Be Massive
Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl
“Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I’ll probably not play my original again since it isn’t in quite as nice condition. In fact, I’m not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer.” — Mark Smotroff, Audiophile Review, May 17, 2021.
